A Guru`s Journey – Pandit Chitresh Das and Indian Classical Dance in Diaspora
Pandit Chitresh Das and Indian Classical Dance in Diaspora
Series: Music in American Life; 561;
- Publisher's listprice GBP 20.99
-
10 027 Ft (9 550 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 005 Ft off)
- Discounted price 8 022 Ft (7 640 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
10 027 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher MO – University of Illinois Press
- Date of Publication 2 December 2019
- Number of Volumes Paperback
- ISBN 9780252084683
- Binding Paperback
- No. of pages270 pages
- Size 225x178x17 mm
- Weight 472 g
- Language English
- Illustrations 38 black & white photographs, 214 lines of music, 3 tables 8
Categories
Long description:
An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts.
A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.
More
