A Geography of Victorian Gothic Fiction
Mapping History's Nightmares
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Product details:
- Publisher OUP Oxford
- Date of Publication 20 March 2003
- ISBN 9780199262182
- Binding Paperback
- No. of pages340 pages
- Size 217x139x18 mm
- Weight 407 g
- Language English
- Illustrations 2 halftones 0
Categories
Short description:
A Geography of Victorian Gothic Fiction challenges the prevailing view that 'psychology' explains the Gothic. Mighall offers original readings of familiar texts, from Dickens to Stoker, Wilkie Collins to Conan Doyle; but also a rich store of original sources, from European travelogues to sexological textbooks, from ecclesiastic histories to pamphlets on the perils of self-abuse.
MoreLong description:
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing - from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de si?cle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victorian period, and provides historical explanations for its development from late eighteenth century, through the 'Urban Gothic' fictions of the mid-Victorian period, the 'Suburban Gothic' of the Sensation vogue, through to the somatic horrors of Stevenson, Machen, Stoker, and Doyle at the century's close. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period.
judiciously and convincingly using different discursive contexts to shed light on the heritage from the Gothic of Victorian fiction.
Table of Contents:
Introduction: Outside in: Gothic criticism and the pull into interiority
History as nightmare
From Udolpho to Spitalfields: mapping Gothic London
Haunted houses I and II
Atavism: a Darwinian nightmare
Unspeakable vices: moral monstrosity and representation
Making a case: vampirism, sexuality, and interpretation
Postscript: From landscape to dreamscape: redrawing the Gothic map
Bibliography
Index
