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  • A European Television Fiction Renaissance: Premium Production Models and Transnational Circulation

    A European Television Fiction Renaissance by Barra, Luca; Scaglioni, Massimo;

    Premium Production Models and Transnational Circulation

    Series: Routledge Advances in Television Studies;

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        69 273 Ft (65 975 Ft + 5% VAT)
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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 30 November 2020

    • ISBN 9780367345402
    • Binding Hardback
    • No. of pages326 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 20 Illustrations, black & white; 18 Halftones, black & white; 5 Tables, black & white
    • 116

    Categories

    Short description:

    This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.

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    Long description:

    This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.


    Combining a media-production approach with a textual and audience analysis, the volume offers a complex, stratified, systemic view of ongoing aesthetic, sociocultural and industrial developments in contemporary European TV. With contributions from leading experts in the field, the book first offers an overview of the industrial, policy and cultural context for the renaissance of European television drama over the past decade, based on original comparative research. This research is then supported by case study chapters from the key contexts within which quality European television is being produced, offering a complex and complete picture of the industry’s strengths and limitations, its traditions and trends, its constraints and future perspectives.


    A European Television Fiction Renaissance is a must-read book for TV scholars working across Europe and beyond in the areas of media studies, international communications and television studies, media industries studies, production studies, European studies, and media policy studies as well as for those with an interest in television drama, Netflix, globalisation, pay TV and on demand.


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    Table of Contents:

    1. Introduction: The Many Steps and Factors of a European Renaissance



    Luca Barra and Massimo Scaglioni



    Part I: Researching European Fiction



    2. The Grounds for a Renaissance in European Fiction: Transnational Writing, Production and Distribution Approaches and Strategies



    Luca Barra and Massimo Scaglioni



    3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an Emerging EU Market



    Dom Holdaway, Cecilia Penati and Anna Sfardini



    4. Transnational Circulation of European TV Series: National Models and Industrial Strategies for Scripted Pay Imports/Exports



    Paolo Carelli and Damiano Garofalo



    Part II: United Kingdom



    5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for UK Television



    Philip Drake



    6. "The Biggest Drama Commission in British Television History": Netflix, The Crown and the UK Television Ecosystem



    Roberta Pearson



    Part III: France



    7. Video on Demand Platforms, Editorial Strategies and Logics of Production: The Case of Netflix France


    Christel Taillibert and Bruno Cailler



    8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+



    Hélène Monnet-Cantagrel



    9. What is a Quality French Series? Reflections on The Bureau



    François Jost



    Part IV: Italy



    10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and the Struggle for Difference



    Luca Barra and Massimo Scaglioni



    11. The Holy See(ing): Splendors and Miseries of The Young Pope



    Giancarlo Lombardi



    Part V: Germany



    12. TV Drama Series Production in Germany and the Digital Television Landscape



    Lothar Mikos



    13. Selling Location, Selling History: New German Series and Changing Market Logic



    Susanne Eichner



    Part VI: Spain



    14. Ways of Production and Distribution as Movistar+



    Juan Francisco Gutiérrez Lozano



    15. Bambú Producciones and the Transformation of Spanish Television Fiction Production



    Concepción Cascajosa-Virino



    Part VII: Central and Eastern Europe



    16. HBO Europe’s Original Programming in the Era of Streaming Wars



    Petr Szczepanik



    17. Quality by Design: Feature TV Series from Premium Television in Poland



    Artur Majer



    18. Familiar, Much Too Familiar… HBO’s Hungarian Original Productions and the Questions of Cultural Proximity



    Balasz Varga

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