Product details:

ISBN13:9781032502090
ISBN10:1032502096
Binding:Hardback
No. of pages:172 pages
Size:246x174 mm
Weight:480 g
Language:English
Illustrations: 47 Illustrations, black & white; 19 Illustrations, color; 34 Halftones, black & white; 19 Halftones, color; 13 Line drawings, black & white
624
Category:

A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804?1924

 
Edition number: 1
Publisher: Routledge
Date of Publication:
 
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GBP 135.00
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Short description:

This book takes a novel, data-driven approach to the cemeteries of Paris, analysing a largely text-based body of archival material as proxy evidence for visual material that has been lost due to systematic, and legally sanctioned, acts of erasure.

Long description:

This book takes a novel, data-driven approach to the cemeteries of Paris, analyzing a largely text-based body of archival material as proxy evidence for visual material that has been lost due to systematic, and legally sanctioned, acts of erasure.


This study represents the first full-length study of vernacular monuments in France and the entrepreneurs who made them. It also provides methodical considerations, at the intersection of the computational and digital humanities for managing survival biases in extant historical evidence, that are applicable beyond the thematic focus of this book. Since extant examples of these more inconspicuous monuments are rare, this project employs both distant and close viewing?analyzing commercial almanacs, work logs, and burial records in aggregates alongside detailed case studies?to compensate for gaps in the material record.


The book will be of interest to scholars working in visual culture, popular culture, digital humanities, and French history.

Table of Contents:

Preface  Introduction  1.  After 23 Prairial: Negotiating the Social and Urban Consequences of Cemetery Reform after 1804  2. Marbriers de Paris: The Stonecutting Profession and Its Reputation as a Funerary Profession  3. Bespoke, Ready-Made . . . or Something in Between?  4. Toward a Visual Culture of Permanence   Epilogue: Société Le Roy Bouillon