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  • A Comparative Study of Rock Art in Later Prehistoric Europe

    A Comparative Study of Rock Art in Later Prehistoric Europe by Bradley, Richard;

    Series: Elements in the Archaeology of Europe;

      • GET 20% OFF

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      • Publisher's listprice GBP 18.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        8 599 Ft (8 190 Ft + 5% VAT)
      • Discount 20% (cc. 1 720 Ft off)
      • Discounted price 6 880 Ft (6 552 Ft + 5% VAT)

    8 599 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 22 October 2020

    • ISBN 9781108794497
    • Binding Paperback
    • No. of pages94 pages
    • Size 150x230x5 mm
    • Weight 150 g
    • Language English
    • Illustrations 30 b/w illus.
    • 97

    Categories

    Short description:

    Rock outcrops were once decorated with images featuring people, animals, weapons and boats. This Element explains how they are interpreted.

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    Long description:

    The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.

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    Table of Contents:

    Introduction: Times and traditions; 1. Rock art in the Iberian Peninsula: images in contention; 2. Atlantic rock art: contacts with distant relations; 3. Alpine rock art: unity and diversity; 4. Rock art in Northern Europe: facing two ways; 5. Comparisons; Bibliography.

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