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  • Early Modern Replicas of the Holy House of Loreto: Translating Space

    Early Modern Replicas of the Holy House of Loreto by Giffin, Erin;

    Translating Space

    Series: Visual Culture in Early Modernity;

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      • Publisher's listprice GBP 47.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        21 667 Ft (20 635 Ft + 5% VAT)
      • Discount 10% (cc. 2 167 Ft off)
      • Discounted price 19 500 Ft (18 572 Ft + 5% VAT)

    19 500 Ft

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    printed on demand

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Taylor & Francis
    • Date of Publication 21 June 2026

    • ISBN 9781032662503
    • Binding Paperback
    • No. of pages272 pages
    • Size 246x174 mm
    • Weight 500 g
    • Language English
    • Illustrations 178 Illustrations, black & white
    • 697

    Categories

    Short description:

    This comprehensive and cross-cultural study examines three-dimensional structural replicas of the Santa Casa, or Holy House of the Virgin Mary, and related circulating visual and textual media.

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    Long description:

    This comprehensive and cross-cultural study examines three-dimensional structural replicas of the Santa Casa, or Holy House of the Virgin Mary, and related circulating visual and textual media.

    Interdisciplinary in its design, the project engages with a broad spectrum of cultures and lay strata, redirecting early modern studies to prioritize anonymously produced Catholic cult objects and devotional memorabilia, disseminated largely between the fifteenth through early nineteenth centuries. By tracing the formation and evolution of Loretan iconography and cult space in two and three dimensions, this publication illuminates the spread of the popular structure as a sculptural cult object and its worship via replication. By combining art historical questions of materiality and form with broader anthropological and social history concerns regarding information production, dissemination, and reception, this book reveals how early modern Catholics capitalized on cult replicas.

    This book will be of interest to scholars working in art history, architectural history, religious history, and early modern studies.

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    Table of Contents:

    Introduction 1. Competing Foundations 2. Print as a Means of Flight 3. Devotion through Degradation 4. One in the Same 5. Mater Ecclesiae Conclusion

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