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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 20 July 2026
- ISBN 9780367485764
- Binding Paperback
- No. of pages300 pages
- Size 234x156 mm
- Language English
- Illustrations 2 Illustrations, black & white; 2 Line drawings, black & white; 18 Tables, black & white 700
Categories
Short description:
From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.
MoreLong description:
From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.
The close listening analysis is based on detailed research into Mackerras’s private collection of over 600 reel-to-reel and cassette tapes containing recordings of over 1,000 live performances which he conducted between the 1950s and the late 1990s. This is contextualized with evidence collected during ethnographic fieldwork observations, presenting the opinions of Sir Charles, orchestral musicians from major London orchestras and opera houses with whom he was working with during the first decade of the twenty-first century (Philharmonia, Orchestra of the Age of Enlightenment, Royal Opera House, English National Opera), and production team members working for recording industry leaders (such as Decca, EMI, and Chandos). This ethnography of classical music-making gives a voice to performers and music professionals, brings to light some important and heretofore hidden issues, and explores a fascinating time of intense change in the recording industry.
Including consideration of ways forward for performance, education, and recording, this book is relevant to specialist practitioners, as well as music enthusiasts interested in concert life and recording studio habits, professional performers, recordists, music students, educators, and scholars interested in classical music.
MoreTable of Contents:
List of figures
Acknowledgements
CHAPTER 1 From stage to studio
CHAPTER 2 Live performance versus studio recording
CHAPTER 3 In the studio
CHAPTER 4 On the stage
CHAPTER 5 Variable performance traits
CHAPTER 6 Educational applications – Learning to perform in the studio
CHAPTER 7 Final edit – Towards an aesthetic emancipation and some ways forward
Appendices
Bibliography
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