Walt Whitman and Emily Dickinson ? Poetry of the Central Consciousness: Poetry of the Central Consciousness
 
A termék adatai:

ISBN13:9780812279467
ISBN10:0812279468
Kötéstípus:Keménykötés
Terjedelem:256 oldal
Méret:229x152x15 mm
Súly:666 g
Nyelv:angol
0
Témakör:

Walt Whitman and Emily Dickinson ? Poetry of the Central Consciousness

Poetry of the Central Consciousness
 
Kiadás sorszáma: Reprint 2016
Kiadó: MT ? University of Pennsylvania Press
Megjelenés dátuma:
Kötetek száma: Print PDF
 
Normál ár:

Kiadói listaár:
GBP 72.00
Becsült forint ár:
34 776 Ft (33 120 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

31 298 (29 808 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 3 478 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

A kiadónál átmenetileg nincs raktáron, ezért a szokásosnál (2-4 hét) többet kell várni a beszerzésre. Ez általában néhány hét plusz időt jelent.
Nem tudnak pontosabbat?
 
  példányt

 
Rövid leírás:

Agnieszka Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general.

Hosszú leírás:

Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase "the structure of the poet's imagination." Walt Whitman and Emily Dickinson, the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's "outside" viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable.


That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision—that the artist's mind is solely responsible for the organization of the universe—their realizations of that image diverge radically.


Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general.