The Subject of Copyright: Perspectives from Law, Aesthetics and Cognitive Science

The Subject of Copyright

Perspectives from Law, Aesthetics and Cognitive Science
 
Kiadás sorszáma: 1
Kiadó: Routledge
Megjelenés dátuma:
 
Normál ár:

Kiadói listaár:
GBP 130.00
Becsült forint ár:
62 790 Ft (59 800 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

56 511 (53 820 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 6 279 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

Becsült beszerzési idő: Általában 3-5 hét.
A Prosperónál jelenleg nincsen raktáron.
Nem tudnak pontosabbat?
 
  példányt

 
 
 
 
A termék adatai:

ISBN13:9781032412764
ISBN10:1032412763
Kötéstípus:Keménykötés
Terjedelem:208 oldal
Méret:234x156 mm
Súly:544 g
Nyelv:angol
756
Témakör:
Rövid leírás:

Exploring the concept of copyright subject matter through the lenses of law, aesthetics and cognitive science, this book describes the historical evolution of a work into an artefact that qualifies as copyrightable subject matter.

Hosszú leírás:

Exploring the concept of copyright subject matter through the lenses of law, aesthetics, and cognitive science, this book describes the historical evolution of a work into an artefact that qualifies as copyrightable subject matter. Discussing the originality requirement towards an artefactual understating of intangible goods, copyright?s present struggles with modern societies and technologies, and growing inequalities between rights holders and producers, the book adopts an interdisciplinary approach based on studies in law, aesthetics, neuroscience, and cognitive science to present a novel perspective on the non-artefactual and contextual identification of copyright subject matter.


The book examines the challenges raised by aesthetic and neuroaesthetic concepts and cognitive studies, seeking to create a unifying framework of identification strategies for modern copyright law which embrace historical, philosophical, and social perspectives; the book develops a research methodology that offers a new interdisciplinary and holistic approach for understanding the subject of copyright and better addressing the needs of modern society, technology and business models.


Touching on normative understandings of creativity and legal-philosophical, aesthetic, and cognitive considerations with regard to the idea/expression dichotomy in copyright law, the book will be of immense interest to legal scholars, legal philosophers, aestheticians, and neuroaestheticians.

Tartalomjegyzék:

Acknowledgements vi


Introduction: how do we know what is protected in copyright law? 1


1 The origins of artefactuality 5


2 The origins of non
-artefactuality 43


3 Intuitive artefactuality 82


4 In search of a lost object (the concept) 141


Index 199