The New Shudder: About the Fantastic of Musical Romanticism
 
A termék adatai:

ISBN13:9783476059352
ISBN10:3476059359
Kötéstípus:Keménykötés
Terjedelem:261 oldal
Méret:235x155 mm
Nyelv:angol
Illusztrációk: 3 Illustrations, black & white; 12 Illustrations, color
700
Témakör:

The New Shudder

About the Fantastic of Musical Romanticism
 
Kiadás sorszáma: 1st ed. 2024
Kiadó: Palgrave Macmillan
Megjelenés dátuma:
Kötetek száma: 1 pieces, Book
 
Normál ár:

Kiadói listaár:
EUR 117.69
Becsült forint ár:
48 564 Ft (46 252 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

38 852 (37 002 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 9 713 Ft)
A kedvezmény érvényes eddig: 2024. június 30.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
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  példányt

 
Rövid leírás:

This book focuses on the romantic magic opera of Spohr, Weber and Marschner and proposes a new understanding of musical romanticism, according to which it does not lose its affiliation with modernity and its impact on the present for the sake of the fantastic, but rather gains it in the first place. The author examines the Romantic opera and other works by Mozart, Beethoven, Schumann and Wagner, analyses the associated music-aesthetic discourse, which was determined by Tieck, Hoffmann and Horn, A. B. Marx, Brendel and Pohl, and traces it back to considerations by Friedrich Heinrich Jacobi and Jean Paul.

Hosszú leírás:

"It is a new shudder, but not an old fear." Jean Paul's sentence contains an aesthetic of the fantastic in nuce. It is based not least on the philosophy of Friedrich Heinrich Jacobi and aims at the essence of Romanticism. In addition to works by Mozart, Beethoven, Schumann and Wagner, the Romantic magic opera by Spohr, Weber and Marschner are placed in the centre of interest against this background, as well as the music-aesthetic discourse accompanying them, which was led by Tieck, Hoffmann and Horn, A. B. Marx, Brendel and Pohl, are analysed. Contrary to the tradition of musicological research, which, if not taboo, at least trivialised the fantastic, Kämpf arrives at a new understanding of musical Romanticism, according to which it does not lose its affiliation with modernity and its impact on the present because of the fantastic, but only gains it.

Tartalomjegyzék:
Concept, state of research, problem.- The fantastic between imitation of nature and poetic truth.- The fantastic between social reality and musical progress.- The fantastic of musical romanticism and musical modernism after 1900.