Shakespeare Was a Woman and Other Heresies
How Doubting the Bard Became the Biggest Taboo in Literature
Kiadó: Simon & Schuster
Megjelenés dátuma: 2024. május 23.
Kötetek száma: Trade Paperback
Normál ár:
Kiadói listaár:
GBP 10.99
GBP 10.99
Az Ön ára:
4 512 (4 297 Ft + 5% áfa )
Kedvezmény(ek): 15% (kb. 796 Ft)
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Kattintson ide a feliratkozáshoz
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A termék adatai:
| ISBN13: | 9781982171278 |
| ISBN10: | 1982171278 |
| Kötéstípus: | Puhakötés |
| Terjedelem: | 432 oldal |
| Méret: | 212x139x25 mm |
| Súly: | 259 g |
| Nyelv: | angol |
| Illusztrációk: | 1-c photos t-o |
| 700 |
Témakör:
Rövid leírás:
A delightful romp through the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote the plays attributed to him became the greatest taboo in literature… and who the Bard might really be.
Hosszú leírás:
An “extraordinarily brilliant” and “pleasurably naughty” (Andr&&&233; Aciman) investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote his plays became an act of blasphemy…and who the Bard might really be.
The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.”
In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers&&&8212;from Walt Whitman to Sigmund Freud to Supreme Court justices&&&8212;who have grappled with the riddle of the plays’ origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare’s plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem.
As she interviews scholars and skeptics, Winkler’s interest turns to the larger problem of historical truth&&&8212;and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we’re looking for.
“Lively” (The Washington Post), “fascinating” (Amanda Foreman), and “intrepid” (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare…and of how we as a society decide what’s up for debate and what’s just nonsense, just heresy.
“An extraordinarily brilliant and scholarly work, written with an unyielding sleuthing instinct and sparkling with pleasurably naughty moments. This page-turner is mesmerizing.”
—André Aciman, PhD, New York Times bestselling author of Call Me by Your Name
The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.”
In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers&&&8212;from Walt Whitman to Sigmund Freud to Supreme Court justices&&&8212;who have grappled with the riddle of the plays’ origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare’s plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem.
As she interviews scholars and skeptics, Winkler’s interest turns to the larger problem of historical truth&&&8212;and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we’re looking for.
“Lively” (The Washington Post), “fascinating” (Amanda Foreman), and “intrepid” (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare…and of how we as a society decide what’s up for debate and what’s just nonsense, just heresy.
“An extraordinarily brilliant and scholarly work, written with an unyielding sleuthing instinct and sparkling with pleasurably naughty moments. This page-turner is mesmerizing.”
—André Aciman, PhD, New York Times bestselling author of Call Me by Your Name
