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    Protestants on Screen: Religion, Politics and Aesthetics in European and American Movies

    Protestants on Screen by Espinosa, Gastón; Redling, Erik; Stevens, Jason;

    Religion, Politics and Aesthetics in European and American Movies

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    A termék adatai:

    • Kiadó OUP USA
    • Megjelenés dátuma 2024. március 1.

    • ISBN 9780190058906
    • Kötéstípus Keménykötés
    • Terjedelem426 oldal
    • Méret 156x235x26 mm
    • Súly 726 g
    • Nyelv angol
    • Illusztrációk 70 b/w illustrations
    • 583

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    Rövid leírás:

    Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film.

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    Hosszú leírás:

    Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend that Protestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium.

    The essays in this volume track key Protestant themes like faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction, edification, and cultural influence.

    While Roman Catholicism's influence on film is well known, the corresponding influence of Protestantism is frequently ignored. This volume remedies that through attention to the ways in which Protestant themes and representation are expressed in films, as well as how Protestant filmmakers and audiences have contributed to the art form and its reception. A must read for anyone interested in the multiple ways in which Protestantism and film have interacted over the last century!

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    Tartalomjegyzék:

    Introduction
    Introduction Part I: Why Protestants and Film
    Introduction Part II: What is Religion and Why is it Important in Film?
    Introduction Part III: What is Protestantism?
    Introduction Part IV: Protestantism and Film - Historical Overview
    Introduction Part V: Protestant Film Aesthetics
    Introduction Part VI: Chapter Overview
    Part I. History and Theory of Protestantism in Religion and Film Studies
    1 - Protestant Responses to Hollywood, Censorship, and Art Cinema
    William D. Romanski
    2 - Independent Protestant Film, from the Silent Era to its Resurgence
    Andrew Quicke
    3 - Protestant Themes within Secular Models of Salvation --"Redeemed" or just "A Bit Happier"'?: The Example of Crazy Heart
    Clive Marsh
    Part II. The Protestant Reformation on Screen
    4 - "Here I stand I can do no other..." Martin Luther in German and American Biopics
    Esther Wipfler
    5 - The Vexed Man: Oliver Cromwell and the English Reformation and Civil War on Screen
    Gastón Espinosa
    6 - Propaganda, Blasphemy, and The Savage God in The Witchfinder General & The Wicker Man
    Victor Sage
    Part III. Protestant Influences in European Art Films
    7 - Words versus "The Word": Language and Scripture in Ingmar Bergman's Films and Writings
    Maaret Koskinen
    8 - Protestant Miracle in Dreyer's Ordet
    Marc LeFanu
    9 - Babette's Feast: Protestant Pietism, the Conflict of Spirit and Flesh, and Reconciliatory Grace in the Danish Babette's Feast
    Kjell O. Lejon
    10 - Protestant Ambivalence Towards Allegory in Wim Wenders' The Scarlet Letter
    Erik Redling
    Part IV. Protestant Experience in American Movies
    11 - Where Were You? The Problem of Evil in Terrence Malick's The Tree of Life
    Mark Scott
    12 - "Holy Ghost Power!" in Robert Duvall's The Apostle
    Gastón Espinosa and Jason Stevens
    13 - Sinner or Saint?: Martin Luther King, Jr. and the Civil Rights Movement in Selma
    Julius H. Bailey
    14 - The Religious Motif of Mountains in Tyler Perry's Why Did I Get Married?
    Melanie Johnson
    15 - A Tender View of Conservative Evangelicalism in Higher Ground
    Paula M. Kane
    16 - Evangelicals and Star Wars: Appropriating a Culture from a Galaxy Far Far Away
    Alex Wainer
    Part V. Protestant Themes in Film Genres
    17 - The Rise and Fall of Evangelical Protestant Apocalyptic Horror: From A Thief in the Night to Left Behind and Beyond
    Timothy Beal
    18 - The Western. Radical Forgiveness in Unforgiven
    Sara Anson Vaux
    19 - Protestant Pacifist: War and Pacifism in Mel Gibson's Hacksaw Ridge
    Matthew S. Rindge
    20 - Film Noir, Calvinism, and Self-Surveillance in Paul Schrader's Hardcore
    Jason Stevens
    21 - Lost in Adaptation: Aslan's Divinity and the Purpose of Real Pain in Narnia versus Fantasy Film
    Devin Brown

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    Protestants on Screen: Religion, Politics and Aesthetics in European and American Movies

    Protestants on Screen: Religion, Politics and Aesthetics in European and American Movies

    Espinosa, Gastón; Redling, Erik; Stevens, Jason; (ed.)

    40 994 Ft

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