Popular Music and Human Rights
Volume I: World Music
Sorozatcím: Ashgate Popular and Folk Music Series;
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20% KEDVEZMÉNY?
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- Kiadói listaár GBP 31.99
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16 190 Ft (15 419 Ft + 5% áfa)
Az ár azért becsült, mert a rendelés pillanatában nem lehet pontosan tudni, hogy a beérkezéskor milyen lesz a forint árfolyama az adott termék eredeti devizájához képest. Ha a forint romlana, kissé többet, ha javulna, kissé kevesebbet kell majd fizetnie.
- Kedvezmény(ek) 20% (cc. 3 238 Ft off)
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16 190 Ft
Beszerezhetőség
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Why don't you give exact delivery time?
A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.
A termék adatai:
- Kiadás sorszáma és címe 1
- Kiadás sorszáma 1
- Kiadó Routledge
- Megjelenés dátuma 2012. november 21.
- ISBN 9781409464044
- Kötéstípus Puhakötés
- Terjedelem222 oldal
- Méret 234x156 mm
- Súly 410 g
- Nyelv angol 0
Kategóriák
Rövid leírás:
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide.
TöbbHosszú leírás:
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
'Anyone interested in the topic of popular music and human rights can begin here. The volume gives an empirically grounded introduction to a variety of perspectives on the topic. It shows how human rights issues in popular music are embedded in everyday identity politics and media consumption. Moreover, the volume illustrates the complexity of music as a medium of expression in creating pleasure and discontent, coherence and unrest, individualism and collectivity.' Fabian Holt, Roskilde University, Denmark
Tartalomjegyzék:
Foreword; General Editor ?s Preface; Acknowledgements; Introduction 1 More Relevance than Spotlight and Applause: Billy Bragg in the British Folk Tradition 2 ?Know Your Rights?: Punk Rock, Globalization, and Human Rights 3 Unlocking the Silence: Tori Amos, Sexual Violence, and Affect 4 Pantomime Paranoia in London, or, ?Lookout, He?s behind You!? 5 The Blues, Trauma, and Public Memory: Willie King and the Liberators 6 The Aesthetic Dimension: Cultural Politics, Human Rights, and Hedwig 7 The Evolution of the Political Benefit Rock Album Which Music for Which Catastrophe? The Functions of Popular Music Twenty-first Century Benefit Concerts 9 From Midnight Music to Civil Rights, from Bluesology to Human Rights: Gil Scott-Heron, American Griot 10 Plight of the Redman: XIT, Red Power, and the Refashioning of American Indian Ethnicity 11 ?The Country We Carry in Our Hearts is Waiting?: Bruce Springsteen, Franklin Delano Roosevelt, and the Search for Human Rights in America 12 The Vision of Possibility: Popular Music, Women, and Human Rights; Bibliography; Discography; Index
Több
Popular Music and Human Rights: Volume I: World Music
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Feliratkozom
16 190 Ft
