Mapping in Architectural Discourse

PART 1: THE EMERGENT IN MAPPING  1. THE HISTORICAL EMERGENCE OF ?MAPPING? MAP USE, SUBVERSIVITY AND THE DIGITAL 1.1 Mental Maps  1.2 Map Use in Art  1.3 Postmodern Mapping  1.4 Subversive Cartography  1.5 The Power in/out Maps  1.6 Post-Representational Cartography 1.7 The Digital and Mapping: TOPOLOGY  2. TOWARDS A THEORY OF MAPPING IN ARCHITECTURE: PRODUCTION, DISCIPLINARITY AND ACTIVATION 2.1 Maps and Mapping(s), as Verb and as Noun 2.2 Trans-disciplinary Projection  2.3 Production (rather than ?)  2.4 Mapping as an Index of Past and Future Possibilities  2.5 The Situationist The Naked City Map  2.6 On Activation: Sets of Relationships and Trajectories  2.7 Post-Topological Mapping: PLACE-TIME DISCONTINUITIES  PART 2: MAPPING TOWARDS ARCHITECTURAL CONSTRUCT 3. CHOROGRAPHY AND THE OPERATIONALIZATION OF THE MAP: PLACE, MEASURE AND IDEA 3.1 To Measure is to Implement Difference  3.2 The Song of the Sirens  3.3 Berlin Trajectories  3.4 Being Lost: Exploratory Drift  3.5 CHOROGRAPHY: Differentiating Measures and Ideation  4. AIONOLOGY AND THE INSTRUMENTALIZATION OF THE MAP: TIME, NOTATION AND FORM  4.1 Mapping Urban Totality  4.2 Investigating the Spatial Conditions of the Contemporary City  4.3 Urban Depictions in Architecture  4.4 Las Vegas and Manhattan; Learning and Trans-scripting  4.5 AIONOLOGY: Generative Notations and Formation  5. HETEROTOPOLOGY AND THE CONCEPTUALIZATION OF THE MAP: IMPLACING, ORDER AND THEORY  5.1 Discursive Reset  5.2 Context  5.3 Order  5.4 Deep and Oligoptic Mapping  5.5 HETERO-TOPOLOGY: Montaged Ordering and Theorization  EPILOGUE  INDEX  COLOPHON