Rövid leírás:

This volume examines the transformations in British literature and culture over the last forty years. Each chapter concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age.

Hosszú leírás:

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one.

This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age.

What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.

Tartalomjegyzék:

Acknowledgements
Series Preface
List of Contributors
Chronology

Introduction Gary Day
Econornic and social policy
Culture
Conclusion

1. British Poetry 1956-99 Jessíca Maynard
The poetics of cliché
Chance encounters: Larkin, Tornlinson
Metamorphoses: Fisher, Clark
Autobiographies: Betjeman, Bunting, Prynne
Two varieties of irony

2. Novel Voices Steven Eamshaw
Rogue males
Lone voices
From the rniddle-brow to the high forehead:
women-centred fiction
The dark gods
Empire
Experimental literature
Genre fiction
The postmodem
'There's no such thing as society .. .'
Martin Arnis
Voice projections
Líterature and Culture in Modern Britain: 1956-99

3. Popular Fiction Michael Hayes
Market stall to global market
Fictions galo re
Consuming passions
Popular fiction: The Legacy

4. Lifting the Lid: Theatre 1956-99 Michael Woolf
Prologue
What is 'theatre'?
Beyond censorship
Lost Edens: politics and nostalgia
A humanist theatre
The music hall
Joe Orton and the outrage of Mrs Edna Welthorpe
The presence of Harold Pinter
Ayckboum: a singular exception
Conclusion: theatre and the segmented society

5. British Newspapers Nicho/as Rance
'A dreadful, long-running detective story': reporting the
case of the Y orkshire Ripper
Conclusion


6. British Cinema: A Struggle for Identity Lez Cooke 143
The British 'new wave'
The social problem film
Harnmer horror: the retum of the repressed
Carry On and the 'camivalesque'
The Empire strikes back?
'Swinging London'
The 1970s: mainstream decline and the rise of
independent cinema
British cinema and Thatcherism
The British film renaissance of the 1990s

7. Television Lez Cooke
The impact of ITV on the BBC
The 'Golden Age' of British television
British television in the 1970s: a mirror to society?
The 1980s: Channel 4, competition and deregulation
British television in the 1990s
8. British Art David Masters

The avant-garde moves home: Paris to New York
'The situation in London now'
Abstraction - a new realism? 206
...and the situation in St Ives 208
IG, TIT and pop 209
Later pop 210
Challenging modernism: artists with attitude 212
When concept replaced the unique art object 215
A crisis of modernity? The emergence of postmodernism
and anti-modernism 217
'Nostalgia for the unattainable' 218
Some went mad o o o some ran away 219

9. Popular Music since the 1950s Andrew Blake 224
Popular music before pop 224
Aspects of amateurism: folk roots and r 'n' b 226
Professionalism and pop 227
The 1960s and after 228
The ambivalence of broadcasting 230
y outh and music 231
The urban soundscape 233
Let's mix again 235

10. Technology 1956-99 John Moms 239
What is technology and where is it taking us? 239
The information explosion 242
Genetic engineering 246
Outcomes of the high techo process 252
Final thoughts 255

11. Epilogue and Overture Clive Bloom
The role of the university
Criticism at the end of the century
N ew and future approaches
British culture at the Millennium
Index