A termék adatai:
| ISBN13: | 9781501361425 |
| ISBN10: | 1501361422 |
| Kötéstípus: | Keménykötés |
| Terjedelem: | 232 oldal |
| Méret: | 228x152 mm |
| Súly: | 481 g |
| Nyelv: | angol |
| Illusztrációk: | 26 bw illus |
| 282 |
Témakör:
Forms of the Cinematic
Architecture, Science and the Arts
Kiadó: Bloomsbury Academic
Megjelenés dátuma: 2021. február 25.
Kötetek száma: Hardback
Normál ár:
Kiadói listaár:
GBP 90.00
GBP 90.00
Az Ön ára:
34 776 (33 120 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 8 694 Ft)
A kedvezmény érvényes eddig: 2024. június 30.
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Hosszú leírás:
This interdisciplinary collection explores how cinema calls into question its own frame of reference and, at the same time, how its form becomes the matter of its thought. Building on the axiom (cherished by philosophers of cinema from Epstein to Deleuze) that cinema is a medium that thinks in conjunction with its spectators, this book examines how various forms of the cinematic rethink and redraw the terrain of traditional disciplines, thereby enabling different modes of thought and practice. Areas under consideration by a range of leading academics and practitioners include architecture, science, writing in a visual field, event-theory and historiography.
Tartalomjegyzék:
Forms of the cinematic: An introduction
Mark E. Breeze (University of Cambridge, UK)
Part One
Rethinking: from Idea to Structure
1. Idea and image
D. N. Rodowick (University of Chicago, USA)
2. The screen as barrier and support: Monitoring, projection and perfectionism in Brad Bird's Tomorrowland: A World Beyond (2015)
Stephen Mulhall (University of Oxford, UK)
3. Surface thoughts: On the look of cinema
John O´Maoilearca (Kingston University, UK)
4. The film event: From Bazin to Deleuze
Tom Conley (Harvard University, USA)
Part Two
Revisualizing: from the Tangible to the Intangible
5. What film studies is: Mapping the discipline
Annette Kuhn and Guy Westwell (Queen Mary University of London, UK)
6. A cinematic aided design approach and the need for (in)-disciplinarity
Francois Penz (University of Cambridge, UK)
7. Microcinematography and biomedical science
Brian Stramer (King's College London, UK)
8. Cinematic forms and cultural heritage
Maureen Thomas (Norwegian Film School, Norway)
Part Three
Reconstructing: from Writing to Architecture
9. The modulation of emphasis: Screenwriting as a literary art
Clare L. E. Foster (University of Cambridge, UK)
10. Mapping Andrei Tarkovsky's Stalker: An architectural exploration of the 'Zone'
Stavros Alifragkis (Aristotle University of Thesonaliki, Greece)
11. Architecture Beyond Sight: Filming blindness
Anna Ulrikke Andersen (University College London, UK)
12. Towards an architecture of the cinematic
Mark E. Breeze (University of Cambridge, UK)
Index
Mark E. Breeze (University of Cambridge, UK)
Part One
Rethinking: from Idea to Structure
1. Idea and image
D. N. Rodowick (University of Chicago, USA)
2. The screen as barrier and support: Monitoring, projection and perfectionism in Brad Bird's Tomorrowland: A World Beyond (2015)
Stephen Mulhall (University of Oxford, UK)
3. Surface thoughts: On the look of cinema
John O´Maoilearca (Kingston University, UK)
4. The film event: From Bazin to Deleuze
Tom Conley (Harvard University, USA)
Part Two
Revisualizing: from the Tangible to the Intangible
5. What film studies is: Mapping the discipline
Annette Kuhn and Guy Westwell (Queen Mary University of London, UK)
6. A cinematic aided design approach and the need for (in)-disciplinarity
Francois Penz (University of Cambridge, UK)
7. Microcinematography and biomedical science
Brian Stramer (King's College London, UK)
8. Cinematic forms and cultural heritage
Maureen Thomas (Norwegian Film School, Norway)
Part Three
Reconstructing: from Writing to Architecture
9. The modulation of emphasis: Screenwriting as a literary art
Clare L. E. Foster (University of Cambridge, UK)
10. Mapping Andrei Tarkovsky's Stalker: An architectural exploration of the 'Zone'
Stavros Alifragkis (Aristotle University of Thesonaliki, Greece)
11. Architecture Beyond Sight: Filming blindness
Anna Ulrikke Andersen (University College London, UK)
12. Towards an architecture of the cinematic
Mark E. Breeze (University of Cambridge, UK)
Index
