A termék adatai:
| ISBN13: | 9781350268036 |
| ISBN10: | 1350268038 |
| Kötéstípus: | Puhakötés |
| Terjedelem: | 224 oldal |
| Méret: | 244x169 mm |
| Nyelv: | angol |
| 669 |
Témakör:
Contemporary British Musicals: ?Out of the Darkness?
Kiadó: Methuen Drama
Megjelenés dátuma: 2024. február 8.
Kötetek száma: Paperback
Normál ár:
Kiadói listaár:
GBP 24.99
GBP 24.99
Az Ön ára:
9 656 (9 196 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 2 414 Ft)
A kedvezmény érvényes eddig: 2024. június 30.
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
Becsült beszerzési idő: A Prosperónál jelenleg nincsen raktáron, de a kiadónál igen. Beszerzés kb. 3-5 hét..
A Prosperónál jelenleg nincsen raktáron.
Nem tudnak pontosabbat?
A Prosperónál jelenleg nincsen raktáron.
Hosszú leírás:
The shortest runs can have the longest legacies: for too long, scholarship surrounding British musical theatre has coalesced around the biggest names, ignoring important works that have not had the critical engagement they deserve.
Through academic interrogation and industry insight, this unique collection of essays recognizes these works, shining a light on their creative achievements and legacies. With each chapter focusing on a different significant musical, a selection of shows spanning 2010s are analysed and the development and evolution of the genre is explored.
Touching on key, hit shows such as SIX, Matilda, Everybody's Talking About Jamie, The Grinning Man and Bend it Like Beckham, each chapter discusses different theatrical elements, from dramaturgy and musicology to reception, and also includes an interview with a practitioner related to each musical, providing in-depth understanding and invaluable practical and industry knowledge.
Identifying the intersectionality between industry insight and academic analysis, Contemporary British Musicals: 'Out of the Darkness' challenges the narrative that the British musical is dead : creating a new historiography of the British musical that celebrates the work being created, while providing a manifesto for the future.
Through academic interrogation and industry insight, this unique collection of essays recognizes these works, shining a light on their creative achievements and legacies. With each chapter focusing on a different significant musical, a selection of shows spanning 2010s are analysed and the development and evolution of the genre is explored.
Touching on key, hit shows such as SIX, Matilda, Everybody's Talking About Jamie, The Grinning Man and Bend it Like Beckham, each chapter discusses different theatrical elements, from dramaturgy and musicology to reception, and also includes an interview with a practitioner related to each musical, providing in-depth understanding and invaluable practical and industry knowledge.
Identifying the intersectionality between industry insight and academic analysis, Contemporary British Musicals: 'Out of the Darkness' challenges the narrative that the British musical is dead : creating a new historiography of the British musical that celebrates the work being created, while providing a manifesto for the future.
Tartalomjegyzék:
Foreword - Kate Marlais
Foreword - Tim Sutton
List of Contributors
List of Images
Introduction
Chapter 1 - Bros Abroad: Masculinities in Transition and Homosocial Bonding in Dougal Irvine's Departure Lounge - Broderick Chow
Dougal Irvine Interview
Chapter 2 - 'The Smell of Rebellion' and 'The Stench of Revolt': The Carnivalesque Dramaturgy of Matilda the Musical from Page to Stage - Stephanie Lim
Ellen Kane Interview
Chapter 3 - 'Glitching' of gender and temporality in Lift - Jozey Grae
Perfect Pitch Interview - Andy Barnes, Wendy Barnes
Chapter 4 - Bend it Like Beckham: The Musical: Embodying British Identities - Kelsey Blair
Preeya Kalidas Interview
Chapter 5 - Flowers for Mrs Harris: Covid-19, Women's Work, and the Musical's 'some kind of bliss'- Sarah K. Whitfield
Rachel Wagstaff & Richard Taylor Interview
Chapter 6 - 'You're him and he is you': Identification with the Disabled 'Freak' in The Grinning Man - Ellen Armstrong
Toby Olié Interview
Chapter 7 - "Something Precious You Don't Simply Give Away": Intersections of Love and Queer Expression in Everybody's Talking About Jamie - Hannah Marie Robbins
Rob Hastie Interview
Chapter 8 - 'One of a kind, no category': Coding Race, Gender, and Excess in SIX - Aviva Neff
Josh Bird Interview
Chapter 9 - My Left Right Foot: The Musical - Judith Drake
Noisemaker Interview
Chapter 10 - 'As if Gathered in a Verbatim Fashion': The (Mis)Use of Documentary Markers in Chris Bush and Matt Winkworth's The Assassination of Katie Hopkins - Cyrielle Garson
Lucy Osborne Interview
Conclusion
Foreword - Tim Sutton
List of Contributors
List of Images
Introduction
Chapter 1 - Bros Abroad: Masculinities in Transition and Homosocial Bonding in Dougal Irvine's Departure Lounge - Broderick Chow
Dougal Irvine Interview
Chapter 2 - 'The Smell of Rebellion' and 'The Stench of Revolt': The Carnivalesque Dramaturgy of Matilda the Musical from Page to Stage - Stephanie Lim
Ellen Kane Interview
Chapter 3 - 'Glitching' of gender and temporality in Lift - Jozey Grae
Perfect Pitch Interview - Andy Barnes, Wendy Barnes
Chapter 4 - Bend it Like Beckham: The Musical: Embodying British Identities - Kelsey Blair
Preeya Kalidas Interview
Chapter 5 - Flowers for Mrs Harris: Covid-19, Women's Work, and the Musical's 'some kind of bliss'- Sarah K. Whitfield
Rachel Wagstaff & Richard Taylor Interview
Chapter 6 - 'You're him and he is you': Identification with the Disabled 'Freak' in The Grinning Man - Ellen Armstrong
Toby Olié Interview
Chapter 7 - "Something Precious You Don't Simply Give Away": Intersections of Love and Queer Expression in Everybody's Talking About Jamie - Hannah Marie Robbins
Rob Hastie Interview
Chapter 8 - 'One of a kind, no category': Coding Race, Gender, and Excess in SIX - Aviva Neff
Josh Bird Interview
Chapter 9 - My Left Right Foot: The Musical - Judith Drake
Noisemaker Interview
Chapter 10 - 'As if Gathered in a Verbatim Fashion': The (Mis)Use of Documentary Markers in Chris Bush and Matt Winkworth's The Assassination of Katie Hopkins - Cyrielle Garson
Lucy Osborne Interview
Conclusion
