Classical Sanskrit Tragedy
The Concept of Suffering and Pathos in Medieval India
Kiadó: I.B. Tauris
Megjelenés dátuma: 2021. február 25.
Kötetek száma: Hardback
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Kiadói listaár:
GBP 95.00
GBP 95.00
Az Ön ára:
39 920 (38 019 Ft + 5% áfa )
Kedvezmény(ek): 13% (kb. 5 965 Ft)
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A termék adatai:
ISBN13: | 9781788311113 |
ISBN10: | 1788311116 |
Kötéstípus: | Keménykötés |
Terjedelem: | 224 oldal |
Méret: | 234x156 mm |
Súly: | 490 g |
Nyelv: | angol |
290 |
Témakör:
Hosszú leírás:
It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in this book, this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries.
Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhij?anasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.
Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhij?anasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.
Tartalomjegyzék:
Acknowledgements
Preamble: A note on the Indian medieval.
Introduction Part I. The Tragic Middle
Introduction Part II. Doubt, Obstacle, Deliberation, Death, Disaster: the Trial in Indian Aesthetics
Chapter 1. Kalidasa and his inheritance of grief
Chapter 2. The Map of Melancholy: Lamentation and the Philosophical Pause
Chapter 3. On losing and finding love: Conflict, Obstacle and drama
Chapter 4. The Altered Heart: Anguish, Entreaty and Lyric
Conclusion
Bibliography
Preamble: A note on the Indian medieval.
Introduction Part I. The Tragic Middle
Introduction Part II. Doubt, Obstacle, Deliberation, Death, Disaster: the Trial in Indian Aesthetics
Chapter 1. Kalidasa and his inheritance of grief
Chapter 2. The Map of Melancholy: Lamentation and the Philosophical Pause
Chapter 3. On losing and finding love: Conflict, Obstacle and drama
Chapter 4. The Altered Heart: Anguish, Entreaty and Lyric
Conclusion
Bibliography