A termék adatai:
| ISBN13: | 9780887484599 |
| ISBN10: | 088748459X |
| Kötéstípus: | Keménykötés |
| Terjedelem: | 144 oldal |
| Méret: | 279x215x17 mm |
| Súly: | 817 g |
| Nyelv: | angol |
| Illusztrációk: | 121 illus. |
| 0 |
Témakör:
Brancusi & Romanian Folk Traditions
Kiadás sorszáma: 2
Kiadó: Carnegie Mellon University Press
Megjelenés dátuma: 2023. november 3.
Normál ár:
Kiadói listaár:
GBP 38.00
GBP 38.00
Az Ön ára:
16 519 (15 732 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 1 835 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
A kiadónál véglegesen elfogyott, nem rendelhető. Érdemes újra keresni a címmel, hátha van újabb kiadás.
Nem tudnak pontosabbat?
Rövid leírás:
An examination on the artist Brancusi and Romanian Folk Traditions by art historian Edith Balas.
Hosszú leírás:
Brancusi's Romanian heritage is an important subject for those who study the sculptor. He was 28 years old in 1904 when he arrived in Paris, where he spent the rest of his life. He considered himself Romanian, he dressed like a Romanian peasant, and lived like one. (He was in fact a sophisticated intellectual.)
When he arrived in Paris, the avant-garde was searching for original sources of inspiration. For many, African art filled that role. Brancusi found African art a trigger which released the reminiscences of his Romanian folk tradition. Brancusi used his heritage for formal and iconographical inspiration; however, his working method was inspired by the French avant-garde. Edith Balas shows that the pedestals and homemade furniture were for the artist as important an artistic product as his sculptures; he exchanged them occasionally. There are several new iconographical interpretations of sculptures previously not linked with the Romanian folklore.
When he arrived in Paris, the avant-garde was searching for original sources of inspiration. For many, African art filled that role. Brancusi found African art a trigger which released the reminiscences of his Romanian folk tradition. Brancusi used his heritage for formal and iconographical inspiration; however, his working method was inspired by the French avant-garde. Edith Balas shows that the pedestals and homemade furniture were for the artist as important an artistic product as his sculptures; he exchanged them occasionally. There are several new iconographical interpretations of sculptures previously not linked with the Romanian folklore.
