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    Ventriloquism, Performance, and Contemporary Art

    Ventriloquism, Performance, and Contemporary Art by Hirsh, Jennie; Wallace, Isabelle Loring;

    Series: Routledge Advances in Art and Visual Studies;

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      • Publisher's listprice GBP 38.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 732 Ft (18 793 Ft + 5% VAT)
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      • Discounted price 15 786 Ft (15 034 Ft + 5% VAT)

    19 732 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 31 May 2023

    • ISBN 9781032304762
    • Binding Paperback
    • No. of pages290 pages
    • Size 246x174 mm
    • Weight 600 g
    • Language English
    • Illustrations 50 Illustrations, black & white; 20 Illustrations, color; 50 Halftones, black & white; 20 Halftones, color
    • 508

    Categories

    Short description:

    This volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art.

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    Long description:

    Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art.


    Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today.


    This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.



    "Ventriloquism, Performance, and Contemporary Art is a fascinating collection of essays on the use of ventriloquism and puppetry in contemporary art. The writing, research, and arguments are exemplary. The editors and writers make a compelling case for considering the topic of ventriloquism in relationship to painting, sculpture, installation, performance, video, and even architecture."


    --Jennie Klein, Ohio University

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    Table of Contents:

    Introduction: Voiceovers


    Jennie Hirsh and Isabelle Wallace


    1. Voice, Vivification, and Subjectivity: Jasper Johns Ventriloquist 


    Isabelle Loring Wallace



    2. Over My Dead Body: Puppets, Performance, and Paralysis in Cardiff and Miller?s The Marionette Maker


    Jennie Hirsh



    3. Not All Objects that Look Have Eyes


    Courtney McClellan



    4. Dislocated Voices: Wael Shawky?s Cabaret Crusades


    Kate O?Connor



    5. García?s Games (1978-1979): Puppets, Trauma, Immunity


    Juan Guerrero-Hernandez



    6. Dialectic Silence: Schizophonia in Juan Mu?oz?s Ventriloquist Dummy


    Cintia Gutiérrez Reyes



    7. Tadeusz Kantor?s Dead Dummies


    Katie Geha



    8. I remember: On Modern Living


    Nora Wendl



    9. Embolalia


    Jane Blocker



    10. Re-Siting Marx


    Kerr Houston



    11. In a Manner of Speaking


    Catherine Clover



    12. The Lithic Record


    Nina Elder and nicholas b. jacobsen

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