Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments
Trash Music
Series: Routledge Research in Music;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 29 September 2025
- ISBN 9781032491820
- Binding Paperback
- No. of pages244 pages
- Size 234x156 mm
- Weight 450 g
- Language English
- Illustrations 26 Illustrations, black & white; 26 Halftones, black & white; 10 Tables, black & white 699
Categories
Short description:
This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century.
MoreLong description:
This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century.
Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
MoreTable of Contents:
Introduction
Chapter 1: The opera fantasia in musicological context
Chapter 2: The Italian context
Chapter 3: Genre theory and the opera fantasia
Chapter 4: Gender implications of the opera fantasia
Chapter 5: A return to musical narrative through the opera fantasia
Chapter 6: Opera fantasias on Verdi’s Rigoletto, Il trovatore, and Un ballo in maschera
Conclusion
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