This Life of Sounds
Evenings for New Music in Buffalo
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Product details:
- Publisher OUP USA
- Date of Publication 5 August 2010
- ISBN 9780199730773
- Binding Hardback
- No. of pages256 pages
- Size 236x155x20 mm
- Weight 499 g
- Language English
- Illustrations 29 illustrations 0
Categories
Short description:
This book is an invaluable chronicle of an exuberant time of artistic exploration and experimentation populated by now legendary figures such as John Cage, Morton Feldman, Cornelius Cardew, Terry Riley, Julius Eastman, David Tudor, and many others who were part of this under-known chapter of late 20th century music history. Levine Packer brings it to life once again.
MoreLong description:
This Life of Sounds portrays an important and previously unexplored corner of the history of new music in America: the Center of the Creative and Performing Arts int eh State University of New York at Buffalo. Composers Lukas Foss (the Center's founder), Lejaren Hiller, and Morton Feldman were the music directors over the life of "the Buffalo group," during the years 1964-1980. Based on Foss's plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumentalists to live in Buffalo for up to two years, thus creating a cadre of like-minded musicians who would spend their time studying, creating, and performing difficult - often controversial - new work. The new legendary group of musicians (some would say "musical outlows") who participated in the Buffalo group included Pulitzer Prize winner George Crumb, Terry Riley, Cornelius Cardew, Maryanne Amacher, Frederic Rzewski, David Tudor, Julius Eastman, and many more. Composers John Cage, Jim Tenney, Iannis Xenakis and others all figure int he story as well. The book provides valuable accounts of the Center's influential concert series, Evenings for New Music, performed in Buffalo, New York and throughout Europe; its famous recording of Terry Riley's In C; the political activism of the time; and the intersection of academic, private, and institutional funding for the arts. Life magazine declared in an article about the 1965 Fest of the Arts Today titled, "Can This Be Buffalo?", "Buffalo exploded last month in a two-week avant garde festival that was bigger and hipper than anything ever held in Paris or New York..." The concerts, the festivals, and the adventurous musical climate attracted filmmakers and young visual arts resulting in what one person called "one of those kinds of places the way people talk about Vienna in 1900-1910."
One of the cardinal books in the astounding Buffalo Bookshelf we've seen accrete in the past 15 years...A glorious celebration of the other Buffalo, the aristocratic, innovative city in which a cultural miracle took place whose inspiring residue is still with us, even in an era of decline.
Table of Contents:
Acknowledgements
Introduction
Prelude: A Study in Sonority
The Rockefeller Years, 1964-Spring 1968
Creating the center
Getting Their Gongs Wet
Settling In
"Can This Be Buffalo?"
"Adagio" and "Canto"
David Tudor
News For You
Excavating Riches
Composer-Performers
Renewal and International Influence
The Berkeley of the East
Diamonds and Mud
Aquarium
Make It New, Fall 1968-1972
Technology Rising
Continuance
Illiacs and Oscillators
Music and Theater
A Holiday Angel
Julius Eastman
Fusion
Cornucopia
Turmoil
Early Seventies
Mad Kings and Making Do
Feldman in Buffalo, Fall 1972
The Tenth Year
Closer To Home
Shakeup
The Continuous Present
June In Buffalo
Boston Harbor
Ultrasonics, Subliminal Light and Sound
A Lecture on the Weather
Late January 1977
The Final Years, 1977-1980
Music of Changes
A Critical Fall
"It's Like the Love Canal"
HPSCHD and Beyond
Non-Continuance
After Image
Postscript
Appendix 1: Chronology
Appendix 2: List of Interviews
Appendix 3: List of Creative Associates
Appendix 4: List of Creative Associate Graduate Fellows
Appendix 5: Selected Discography
Endnotes
Bibliography
Index
