Thinking Made Visible
Movement, Narrative, and the Work of Saul Bass
- Publisher's listprice GBP 19.99
-
9 550 Ft (9 095 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
9 550 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Boydell & Brewer Ltd
- Date of Publication 10 February 2025
- Number of Volumes Print PDF
- ISBN 9781956313123
- Binding Paperback
- No. of pages60 pages
- Size 1429x1429 mm
- Weight 142 g
- Language English
- Illustrations 6 b/w, 19 colour 636
Categories
Short description:
An exploration of Saul Bass's innovative and inspirational design work-corporate, architectural, and cinematic-with particular emphasis on how he creates dimensionality and the illusion of motion
MoreLong description:
From logos of some of the most common American brands, to film posters and opening-credit sequences, to the architectural design of one of the most seemingly mundane retail spaces in American life, Saul Bass's work and that which he inspired is all around us. In Thinking Made Visible: Movement, Narrative, and the Work of Saul Bass, Jacob Dickerson focuses primarily on Bass's poster designs for films such as The Man with the Golden Arm and corporations like AT&T. Dickerson also examines Bass's original documentary films on innovation and solar power as well as his designs for Exxon and BP service stations. The emphasis is on Bass's consistent use of motifs such as images of hands and suns, arguing for a hopeful and humanitarian interpretation of his work. Dickerson also explores the role of space-both visual and physical-and how Bass created a sense of motion to tell stories even within a single still image.
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