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  • Theory of the Image

    Theory of the Image by Nail, Thomas;

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      • Publisher's listprice GBP 127.50
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        60 913 Ft (58 012 Ft + 5% VAT)
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      • Discounted price 54 821 Ft (52 211 Ft + 5% VAT)

    60 913 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 27 June 2019

    • ISBN 9780190924034
    • Binding Hardback
    • No. of pages432 pages
    • Size 160x243x38 mm
    • Weight 558 g
    • Language English
    • Illustrations 54 illus.
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    Short description:

    Theory of the Image offers a new and systematic philosophy of art and aesthetics from the perspective of movement.

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    Long description:

    We live in an age of the mobile image. The world today is absolutely saturated with analog and digital images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has hitherto unconsidered consequences not only for the way we think about contemporary art and aesthetics but also for art history as well.

    Responding to this historical moment, Theory of the Image offers a fresh new aesthetics and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but rarely, if ever, has it been understood to be, primarily and above all, in motion. This original approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetics" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.

    This is an engaging book with a fascinating argument. Thomas Nail stakes out new territory, building a theory from the group up of the image as kinetic

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    Table of Contents:

    Introduction
    Part I: Kinesthetics
    1. The Flow of Matter
    2. The Fold of Affect
    3. The Field of Art
    Part II: History of the Image
    I. The Functional Image
    4. Centripetal Function
    5. The Prehistoric Image
    II. The Formal Image
    6. Centrifugal Form
    7. The Ancient Image I
    8. The Ancient Image II
    III. The Relational Image
    9. Tensional Relation
    10. The Medieval Image I
    11. The Medieval Image II
    IV. The Differential Image
    12. Elastic Difference
    13. The Modern Image I
    14. The Modern Image II
    Part III: The Contemporary Image
    15. The Digital Image
    16. The Generative Image
    Conclusion

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