The Victorian Novel Dreams of the Real
Conventions and Ideology
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Product details:
- Publisher OUP USA
- Date of Publication 18 July 2019
- ISBN 9780190067816
- Binding Paperback
- No. of pages200 pages
- Size 208x137x12 mm
- Weight 295 g
- Language English 0
Categories
Short description:
The Victorian Novel Dreams of the Real presents a new interpretation of the Victorian realist novel based on realism's desire for the real. In provocative readings of novels by Eliot, Dickens, Trollope, Hardy, and Collins, Jaffe redefines realist conventions and reinterprets long-held theories about realist representation.
MoreLong description:
Critical discussions of the Victorian realist novel tend to focus on its vivid representations of everyday life. The Victorian Novel Dreams of the Real proposes that the genre is founded in desire, moving the novels not towards a shared reality but rather toward distinct fantasies: dreams of the real.
Rather than simply redefine Victorian realism or propose a new canon for it, The Victorian Novel Dreams of the Real argues that the real is inevitably, for the Victorian realist novel, an object of desire: what the novel seeks to capture and represent. A novel's construction of the real is therefore inseparable from its fantasy of the real--a formulation Audrey Jaffe refers to as "realist fantasy." One way in which this simultaneity manifests itself is that the conventions novels frequently use to represent characters' dreams, daydreams, and fantasies overlap with those each novel uses to create its realist effects. In new readings of Victorian novels (including Eliot's Adam Bede, Dickens's Oliver Twist, Hardy's The Mayor of Casterbridge and The Return of the Native, Trollope's Orley Farm, and Wilkie Collins's Armadale), The Victorian Novel Dreams of the Real demonstrates that one of the signal effects of this overlapping is Victorian realism's construction of the real as an object of readerly desire.
Jaffe shows that realism and fantasy in the Victorian realist novel are not opposed, but rather occupy the same space and are shaped by the same conventions. Revisiting and reconsidering key elements of realist novel theory (including metonymy; the insignificant detail; character interiority; the representation of everyday life and the idea of disillusionment), The Victorian Novel Dreams of the Real also uncovers and anatomizes representational strategies unique to each text.
By the end of this invigorating and challenging read, I had a profound admiration for Jaffe's willingness to go straight into the potentially recursive loop of realism and to give us a new picture of its driving mechanisms and the investments both our culture at large and the culture of contemporary literary criticism continue to make in this distinction. Jaffe shows that the claim to the real is always a fantasy and one that involves a claim for power.
Table of Contents:
Introduction
Chapter 1. Realist Territory: Proscription and Prohibition in Adam Bede
Chapter 2. How I Met Your Mother and Other Lucky Accidents
Chapter 3. Castles in the Air: Trollope's Realist Fantasy
Chapter 4. "Outside the Gates of Everything": Hardy's Exclusionary Realism
Chapter 5. Armadale: Sensation Fiction Dreams of the Real
Chapter 6. Conclusion: Critical Desire and the Victorian Real
