The Singing of the New World
Indigenous Voice in the Era of European Contact
Series: New Perspectives in Music History and Criticism; 15;
- Publisher's listprice GBP 94.00
-
47 573 Ft (45 308 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 9 515 Ft off)
- Discounted price 38 059 Ft (36 246 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
47 573 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 12 July 2007
- ISBN 9780521873918
- Binding Hardback
- No. of pages232 pages
- Size 244x170x14 mm
- Weight 570 g
- Language English
- Illustrations 17 b/w illus. 0
Categories
Short description:
A study of indigenous music-making in New World societies, including the Aztecs and the Incas.
MoreLong description:
In The Singing of the New World Gary Tomlinson offers histories of ancient music long since silent: the songs of the Indians that Europeans met in the sixteenth century. Merging recent cultural history, early European accounts, archaeological findings, and rare indigenous documents for the Mexica (or Aztecs), the Incas, and the Tupinamba of lowland Brazil, Tomlinson explores the place of singing in these societies. He details the expressive and ritual ends it was expected to fulfil before and after the coming of the conquistadors. Musical practices and the cultural ends they served come alive across a spectrum that reaches from the cosmogonic geometry of Inca ritual song through the imminent sacred materiality of Mexican cantares to the intricate interconnections of singing, speaking and eating in Tupinamba cannibalism. A final chapter considers the fears mutually and repeatedly inspired by the expressive powers of American and European song.
Honorable Mention: Modern Language Association of America Katherine Singer Kovacs Prize
Table of Contents:
Introduction: Raised voices; 1. Unlearning the Aztec Cantares; 2. Metonymy, writing, and the matter of Mexica song; 3. Cantares mexicanos; 4. Musicoanthropophagy: the songs of cannibals; 5. Inca singing at Cuzco; 6. Fear of singing.
More
