• Contact

  • Newsletter

  • About us

  • Delivery options

  • Prospero Book Market Podcast

  • The Romance Verb: Morphomic Structure and Diachrony

    The Romance Verb by Maiden, Martin;

    Morphomic Structure and Diachrony

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 110.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        52 552 Ft (50 050 Ft + 5% VAT)
      • Discount 10% (cc. 5 255 Ft off)
      • Discounted price 47 297 Ft (45 045 Ft + 5% VAT)

    52 552 Ft

    db

    Availability

    printed on demand

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP Oxford
    • Date of Publication 29 March 2018

    • ISBN 9780199660216
    • Binding Hardback
    • No. of pages372 pages
    • Size 252x180x28 mm
    • Weight 826 g
    • Language English
    • 0

    Categories

    Short description:

    This book is the first comprehensive comparative-historical survey of patterns of alternation in the Romance verb that persist through time but have long ceased to be conditioned by any phonological or functional determinant. It explores the status of these patterns and their persistence, self-replication, and reinforcement over time.

    More

    Long description:

    This book is the first comprehensive comparative-historical survey of patterns of alternation in the Romance verb which appear to be 'autonomously morphological': although they can be shown to be persistent through time, they have long ceased to be conditioned by any phonological or functional determinant. Some of these patterns are well known in Romance linguistics, while others have scarcely been noticed. The sheer range of phenomena which participate in these patterns in any case far surpasses what Romance linguists had previously realized. The patterns constitute a kind of abstract 'leitmotiv', running through the history of the Romance languages and conferring on them a distinctive morphological physiognomy.

    Although intended primarily as a novel contribution to comparative-historical Romance linguistics, the book considers in detail the status of these patterns which appear to be a matter of 'morphology by itself', unsupported by determining factors external to the morphological system. Particular attention is paid to the problem of their persistence, self-replication, and reinforcement over time. Why do abstract morphological patterns that quite literally 'do not make sense' display such diachronic robustness? The evidence suggests that speakers, faced with different ways of expressing semantically identical material, seek out distributional templates into which those differences can be deployed. In Romance the only available templates happen to be 'morphomic', morphologically accidental, effects of old sound changes or defunct functional conditionings. Those patterns are accordingly exploited, and indeed reinforced, by being made maximally predictable.

    More

    Table of Contents:

    Introduction
    'Morphomic' structures in synchrony and diachrony
    The Romance languages and the Romance verb
    'PYTA' and the remnants of the Latin perfective: Emergence of a morphomic pattern through loss of shared function
    The L-pattern and the U-pattern: A phonologically created morphomic pattern
    The N-pattern: Another phonologically created morphomic pattern
    The Latin 'third stem' and its survival in Romance
    The western Romance future and conditional
    Root allomorphy and conjugation class
    New morphomic patterns from old
    Morphomic patterns, suppletion, and the Romance morphological 'landscape'
    Origins, substance, and persistence of Romance morphomic patterns

    More
    0