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  • The Revue in Twentieth-Century Budapest: From Cosmopolitan Night-Clubs to Stalinist Dogma

    The Revue in Twentieth-Century Budapest by Molnár, Dániel;

    From Cosmopolitan Night-Clubs to Stalinist Dogma

    Series: Elements in Musical Theatre;

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      • Publisher's listprice GBP 49.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        23 882 Ft (22 745 Ft + 5% VAT)
      • Discount 10% (cc. 2 388 Ft off)
      • Discounted price 21 494 Ft (20 471 Ft + 5% VAT)

    23 882 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 22 May 2025

    • ISBN 9781009494458
    • Binding Hardback
    • No. of pages90 pages
    • Size 229x152x6 mm
    • Weight 271 g
    • Language English
    • 749

    Categories

    Short description:

    The struggle of Hungarian state-socialism to adapt the cosmopolitan entertainment heritage of the 'Budapest Broadway'.

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    Long description:

    Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this international status. Under communism and the Stalinist totalitarian regime, the revue-despite its popularity-remained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms.

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    Table of Contents:

    1. Sources, methods, contexts; 2. From local importance to international fame: 'Budapest Broadway', 1920-1944; 3. Revues in crisis; 4. The socialist revue experiments; 5. Changes in set and costume design: the politics of visual representation; 6. The recuperation and stabilisation of revues in socialist Hungary after 1953; 7. Epilogue: the legacy of the Stalinist-era revue in Hungary; References.

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