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    The Places of Early Modern Criticism

    The Places of Early Modern Criticism by Alexander, Gavin; Gilby, Emma; Marr, Alexander;

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 6 May 2021

    • ISBN 9780198834687
    • Binding Hardback
    • No. of pages302 pages
    • Size 242x164x23 mm
    • Weight 614 g
    • Language English
    • 101

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    Short description:

    This book takes an interdiscplinary approach to the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.

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    Long description:

    What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.

    This wideranging collection enriches and extends our understanding of criticism: ancient, Renaissance, and contemporary.

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    Table of Contents:

    Introduction: Placing Early Modern Criticism
    'The restful place': Criticism in Early Tudor Poetry
    The Corrector as Critic: Jacques Peletier Du Mans
    Popular Rewritings of the Orlando Furioso as Forms of Criticism
    'Ce rond de sciences [...] nomm-- Encyclop--die': The Circle of Learning in Renaissance Poetics
    Grammar, Prosody, and the Place of Accent in Elizabethan Criticism
    The Play in the Mind's Eye
    Places of Form in Early Modern Poetics: Art, Mind, and Voice
    Writing in the New World: Spanish American Poetics and the Literary Canon
    'Crittickize uppon the smallest word': Anne Southwell and the Place of Gender in Early Modern Criticism
    The Wondrous Town Hall of Amsterdam: Laudatory Poems on the Impact of Art and Architecture
    Pr--sence d'esprit in Action in Seventeenth-Century France: Salon Poetry and the Lettres provinciales
    Sublimity by fiat: New Light on the English Longinus
    Painting as 'Reall Performance' in Rembrandt's Studio
    Dryden's Debts: Criticism, Commerce, and the Value of Wit
    Locus genii: Placing Genius in Roger de Piles's Criticism

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