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  • The Oxford Handbook of Community Singing

    The Oxford Handbook of Community Singing by Morgan-Ellis, Esther M.; Norton, Kay;

    Series: Oxford Handbooks;

      • GET 10% OFF

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      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        76 492 Ft (72 850 Ft + 5% VAT)
      • Discount 10% (cc. 7 649 Ft off)
      • Discounted price 68 843 Ft (65 565 Ft + 5% VAT)

    76 492 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 29 August 2024

    • ISBN 9780197612460
    • Binding Hardback
    • No. of pages1032 pages
    • Size 241x165x58 mm
    • Weight 1814 g
    • Language English
    • Illustrations 82
    • 599

    Categories

    Short description:

    The Oxford Handbook of Community Singing embraces an open-ended interpretation of socio-musical practices that can be described with the term community singing. The volume exemplifies community singing as an interdisciplinary field of study that encompasses diverse methodologies and objects of inquiry, and in the process brings together recent research from the fields that have historically engaged with the practice of group singing, including group dynamics, ethnomusicology, music history, music education, music therapy, community music, church music, music performance, sociology, political science, Latin American and North American studies, media studies, embodied psychology, theology, and philosophy.

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    Long description:

    The Oxford Handbook of Community Singing embraces an open-ended interpretation of socio-musical practices that can be described with the term community singing. The volume exemplifies community singing as an interdisciplinary field of study that encompasses diverse methodologies and objects of inquiry, and in the process brings together recent research from the fields that have historically engaged with the practice of group singing, including group dynamics, ethnomusicology, music history, music education, music therapy, community music, church music, music performance, sociology, political science, Latin American and North American studies, media studies, embodied psychology, theology, and philosophy.

    Chapters are divided into eight interdisciplinary sections: "Media and the Imagination of Community", "Singing in Place-Based Communities", "The Practitioner's Perspective", "Identity: Values, Ethnicity, and Inherited Culture", "Identity: Politics, Patriotism, and Assimilation", "Transgressing Borders, Seeking Asylum", "Singing and Political Action", and "New Paradigms". Each is prefaced with an introduction that traces the common threads running through the methodologically and topically diverse chapters that examine culturally specific narrow instances of community singing, each confined to a given time and place, in significant detail.

    The chapters explore community singing as one of two phenomena: the practice of singing as community--the utilization of collective song by communities of place or preference, and the singing of community into existence--the creation or identification of a new community, through singing, that did not exist before. Both practices can profoundly affect participants. The Handbook considers why communities are motivated to sing, what their activities mean, and how practitioners can improve the experience of singing together.

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    Table of Contents:

    List of Contributors
    Introduction: Singing as Community, Singing into Community, and Growing the Singing Community
    Esther M. Morgan-Ellis and Kay Norton
    Part I. Media and the Imagination of Community
    Introduction to Part I. Media and the Imagination of Community
    Esther M. Morgan-Ellis
    1. Mediated Community Singing
    Esther M. Morgan-Ellis
    2. Selling with Singalongs: Community Singing as Advertising in Cinema, Radio and Television
    Malcolm Cook
    3. Singing into a Smartphone: The Persuasive Affordances of Karaoke and Lip-Syncing Apps
    Byrd McDaniel
    4. What the Pandemic Couldn't Take Away: Group Singing Benefits That Survived Going Online
    Kay Norton
    5. Virtual choirs and issues of community choral practice
    Cole Bendall
    6. Community Singing in the Age of Coronavirus: The Case of Collegiate A Cappella
    Joshua S. Duchan
    Part II. Singing in Place-Based Communities
    Introduction to Part II. Singing in Place-Based Communities
    Esther M. Morgan-Ellis
    7. "Some Old Remembered Song": Music at the Rocky Mountain Rendezvous, 1825-1840
    Glen W. Hicks
    8. New Music for Old Prayers: Identity Construction and Community Building in Zimbabwean Black Jewish Synagogues
    Lior Shragg
    9. Vernacular Christmas Carol Singing in the Southern Pennines of England
    Ian Russell
    10. "Take Me Out" to "Sweet Caroline": Collective Singing in the Ballpark
    Matthew W. Mihalka
    11. "Singing Their Heads Off": Sing-along Behavior in the Nightlife of Northern England
    Alisun Pawley
    12. Brigadoon in the Heights: Fostering Intimacy, Community, and Activism through Secular Leftist Hymnody
    Eve McPherson
    Part III. The Practitioner's Perspective
    Introduction to Part III. The Practitioner's Perspective
    Kay Norton
    13. Benefits of Community Singing for Cancer Patients, Survivors and Caregivers
    Amy Clements-Cort

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