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  • The Oxford Handbook of Community Singing

    The Oxford Handbook of Community Singing by Morgan-Ellis, Esther M.; Norton, Kay;

    Series: Oxford Handbooks;

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 155.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        78 445 Ft (74 710 Ft + 5% VAT)
      • Discount 10% (cc. 7 845 Ft off)
      • Discounted price 70 601 Ft (67 239 Ft + 5% VAT)

    78 445 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Publisher OUP USA
    • Date of Publication 29 August 2024

    • ISBN 9780197612460
    • Binding Hardback
    • No. of pages1032 pages
    • Size 241x165x58 mm
    • Weight 1814 g
    • Language English
    • Illustrations 82
    • 624

    Categories

    Short description:

    The Oxford Handbook of Community Singing embraces an open-ended interpretation of socio-musical practices that can be described with the term community singing. The volume exemplifies community singing as an interdisciplinary field of study that encompasses diverse methodologies and objects of inquiry, and in the process brings together recent research from the fields that have historically engaged with the practice of group singing, including group dynamics, ethnomusicology, music history, music education, music therapy, community music, church music, music performance, sociology, political science, Latin American and North American studies, media studies, embodied psychology, theology, and philosophy.

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    Long description:

    The Oxford Handbook of Community Singing embraces an open-ended interpretation of socio-musical practices that can be described with the term community singing. The volume exemplifies community singing as an interdisciplinary field of study that encompasses diverse methodologies and objects of inquiry, and in the process brings together recent research from the fields that have historically engaged with the practice of group singing, including group dynamics, ethnomusicology, music history, music education, music therapy, community music, church music, music performance, sociology, political science, Latin American and North American studies, media studies, embodied psychology, theology, and philosophy.

    Chapters are divided into eight interdisciplinary sections: "Media and the Imagination of Community", "Singing in Place-Based Communities", "The Practitioner's Perspective", "Identity: Values, Ethnicity, and Inherited Culture", "Identity: Politics, Patriotism, and Assimilation", "Transgressing Borders, Seeking Asylum", "Singing and Political Action", and "New Paradigms". Each is prefaced with an introduction that traces the common threads running through the methodologically and topically diverse chapters that examine culturally specific narrow instances of community singing, each confined to a given time and place, in significant detail.

    The chapters explore community singing as one of two phenomena: the practice of singing as community--the utilization of collective song by communities of place or preference, and the singing of community into existence--the creation or identification of a new community, through singing, that did not exist before. Both practices can profoundly affect participants. The Handbook considers why communities are motivated to sing, what their activities mean, and how practitioners can improve the experience of singing together.

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    Table of Contents:

    List of Contributors
    Introduction: Singing as Community, Singing into Community, and Growing the Singing Community
    Esther M. Morgan-Ellis and Kay Norton
    Part I. Media and the Imagination of Community
    Introduction to Part I. Media and the Imagination of Community
    Esther M. Morgan-Ellis
    1. Mediated Community Singing
    Esther M. Morgan-Ellis
    2. Selling with Singalongs: Community Singing as Advertising in Cinema, Radio and Television
    Malcolm Cook
    3. Singing into a Smartphone: The Persuasive Affordances of Karaoke and Lip-Syncing Apps
    Byrd McDaniel
    4. What the Pandemic Couldn't Take Away: Group Singing Benefits That Survived Going Online
    Kay Norton
    5. Virtual choirs and issues of community choral practice
    Cole Bendall
    6. Community Singing in the Age of Coronavirus: The Case of Collegiate A Cappella
    Joshua S. Duchan
    Part II. Singing in Place-Based Communities
    Introduction to Part II. Singing in Place-Based Communities
    Esther M. Morgan-Ellis
    7. "Some Old Remembered Song": Music at the Rocky Mountain Rendezvous, 1825-1840
    Glen W. Hicks
    8. New Music for Old Prayers: Identity Construction and Community Building in Zimbabwean Black Jewish Synagogues
    Lior Shragg
    9. Vernacular Christmas Carol Singing in the Southern Pennines of England
    Ian Russell
    10. "Take Me Out" to "Sweet Caroline": Collective Singing in the Ballpark
    Matthew W. Mihalka
    11. "Singing Their Heads Off": Sing-along Behavior in the Nightlife of Northern England
    Alisun Pawley
    12. Brigadoon in the Heights: Fostering Intimacy, Community, and Activism through Secular Leftist Hymnody
    Eve McPherson
    Part III. The Practitioner's Perspective
    Introduction to Part III. The Practitioner's Perspective
    Kay Norton
    13. Benefits of Community Singing for Cancer Patients, Survivors and Caregivers
    Amy Clements-Cortés and Joyce Yip
    14. "It's about the Relationships": Epiphanies in Songleading
    Roger Mantie and Glenn Marais
    15. "Everyone Can Sing": Class Choirs in 0th through 3rd Grades and the Significance of Community Singing for Pupils' Social Wellbeing and School Engagement
    Lars Ole Bonde and Stefan Ingerslev
    16. Singing for Singing's Sake? Community Singing in Norwegian Schools
    Anne Haugland Balsnes
    17. "Scare Away the Dark": The Promotion of Singing to Create Post-Secondary Academic Communities
    Trudi Wright
    18. Songs of Diversity: Three Case Studies of Community Singing, Identity, and Well-being
    Catherine Birch, Ruth Currie, Wayne Dawson, and Stephen Clift
    Part IV. Identity: Values, Ethnicity, and Inherited Culture
    Introduction to Part IV. Identity: Values, Ethnicity, and Inherited Culture
    Kay Norton
    19. Community Choirs: The Challenges and Possibilities of Inclusivity
    Kayla Drudge and Anna E. Nekola
    20. Blend and Balance in Trans* Choral Musicking
    Holly Patch
    21. Peace and Harmony Prevailing: Masonic Singing in the US
    Andrew Schaeffer
    22. Singing Jewishness: The Musical Nostalgia of Jewish Congregational Melodies
    Rachel Adelstein
    23. Sacred Sounds and Social Justice: Singing the Spirituals in an Interracial and Multigenerational Community Choir
    Aleysia K. Whitmore and Marquisha L. Scott
    24. Women Singing in a Rural North Indian Community: A Case Study
    Kamlesh Singh, Suman Sigroha, and Bharti Shokeen
    Part V. Identity: Politics, Patriotism, and Assimilation
    Introduction to Part V. Identity: Politics, Patriotism, and Assimilation
    Esther M. Morgan-Ellis
    25. A "Badge of Americanism": Group Singing as Political Expression in the Early United States
    Laura Lohman
    26. Singing at Ellis Island
    Dorothy Glick Maglione
    27. Community Singing in Flint and Baltimore, 1917-1920
    Esther M. Morgan-Ellis and Alan L. Spurgeon
    28. The Disney Chorus: Singing Along to the Studio's Forging of American Musical Identity
    Gregory Camp
    29. Spectacle and Empire: Imagined Community and the Crystal Palace Handel Festivals
    Charles Edward McGuire
    30. Estonian singing traditions as an impetus for community building and expressing Estonian cultural heritage in Australia
    Naomi Cooper
    Part VI. Transgressing Borders, Seeking Asylum
    Introduction to Part VI. Transgressing Borders, Seeking Asylum
    Kay Norton
    31. The Voices of Hope: A Traveling Miracle
    Susan Bishop
    32. Community Singing as Counterculture in a Women's Prison
    Amanda Weber
    33. Border Transgressions: Song, Story, and Communal
    Emilie Amrein and André de Quadros
    34. Singing, Suffering, and Liberation in the Concentration Camps of the South African War
    Erin Johnson-Williams
    35. Music, Emotion, and Asylum: Wellbeing Mapped Through Choral Singing
    Jane W. Davidson, Benjamin P. Leske, and Amanda E. Krause
    36. Selectively Staging the "Beloved Community": Sacred Harp Singing and Racial Politics in the Folk Revival
    Jesse P. Karlsberg
    Part VII. Singing and Political Action
    Introduction to Part VII. Singing and Political Action
    Esther M. Morgan-Ellis
    37. New Firebombs in Old Bottles: Social Mobilization and Cultural Resonance of Protest Songs
    Marek Payerhin
    38. From "Preguntitas sobre Dios" to "Solo le pido a Dios": Protest and Piety in Latin American Community Singing
    Marcell Silva Steuernagel
    39. March for the Beloved: A Brief History of a South Korean Protest Song
    Jarryn Ha
    40. "Cielito Lindo" or "Son de la Negra"?: Mariachi, Latinidad, and the Trump Administration
    Cameo Flores
    41. Youth, Group Singing, and Peacebuilding in Urban Zimbabwe
    Simbarashe Gukurume
    42. The Role of Hate Songs among Israeli Maccabi Tel Aviv Football Fans: The Entrapping Loop of Hatred
    Moshe Bensimon and Shiran Hen
    Part VIII. New Paradigms
    Introduction to Part VIII. New Paradigms
    Kay Norton
    43. Music and Human Flourishing in Christian Communities
    Nathan Myrick, Benjamin Gessner, and Johnathan Alvarado
    44. By the Rivers of Babylon: Re-membering Community through the Affordance of Congregational Singing in Greek Orthodox Churches in the United States
    Alexander K. Khalil
    45. Community Singing, the Church of England, and Spirituality: The Singer, the Song, and the Singing
    June Boyce-Tillman
    46. Top-Down and Bottom-Up Processes of Entrainment in Communal Singing
    Guy Hayward
    47. From Art Music to Heart Music: The Place of the Composer in Community Singing
    Fiona Evison
    Index

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