The Oxford Handbook of Applied Ethnomusicology
Series: Oxford Handbooks;
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Product details:
- Publisher OUP USA
- Date of Publication 20 August 2015
- ISBN 9780199351701
- Binding Hardback
- No. of pages864 pages
- Size 180x251x55 mm
- Weight 1602 g
- Language English
- Illustrations 59 b&w halftones; 12 line drawings 0
Categories
Short description:
The Oxford Handbook of Applied Ethnomusicology theorizes applied ethnomusicology, offers histories, and puts forward practical examples to stimulate further development in the field.
MoreLong description:
Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field.
The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes and locations of the research discussed encompass all world continents. The authors present case studies encompassing multiple places; other that discuss circumstances within a geopolitical unit, either near or far. Many of the authors consider marginalized peoples and communities; others argue for participatory action research. All are united in their interest in overarching themes such as conflict, education, archives, and the status of indigenous peoples and immigrants.
A volume that at once defines its field, advances it, and even acts as a large-scale applied ethnomusicology project in the way it connects ideas and methodology, The Oxford Handbook of Applied Ethnomusicology is a seminal contribution to the study of ethnomusicology, theoretical and applied.
Assured in tone and ambitious in scope, this hefty tome signals the arrival of what has been long awaited by many in the field: a leading and legitimizing voice, a chorus of praise singing in fact, for the public ethnomusicologist as curator of explicit social action agendas influencing the sustainability of local music cultures on a global scale ... With this handbook on the shelf of your local college music library, there's every reason to believe that future ethnomusicologists- in training will have a strong theoretical resource that makes the case for continued "meddling" as a career option. It's a hopeful prospect.
Table of Contents:
Table of Contents
I. Introduction: Applied Ethnomusicology, Challenges and Potentials
Part 1. Jeff Todd Titon (USA): Applied Ethnomusicology, a Descriptive and Historical Account
Part 2. Svanibor Pettan (Slovenia): Applied Ethnomusicology in the Global Arena
Part 3. Jeff Todd Titon and Svanibor Pettan: An Introduction to the Essays
II. Theoretical and Methodological Considerations
1. Dan Bendrups (Australia): Transcending Researcher Vulnerability through Applied Ethnomusicology
2. Klisala Harrison (Finland): Evaluating Values in Applied Ethnomusicology
3. Tan Sooi Beng (Malaysia): Cultural Engagement and Ownership through Participatory Approaches in Applied Ethnomusicology
4. Huib Schippers (Australia): Applied Ethnomusicology and Intangible Cultural Heritage: Understanding 'Ecosystems' of Music as a Tool for Sustainability
5. Jeff Todd Titon (USA): Sustainability, Resilience and Adaptive Management for Applied Ethnomusicology
III. Advocacy
6. Jeffrey A. Summit (USA): Advocacy and the Ethnomusicologist: Assessing Capacity, Developing Initiatives, Setting Limits, and Making Sustainable Contributions
7. Ursula Hemetek (Austria): Applied Ethnomusicology as an Intercultural Tool: Some Experiences from the Last 25 Years of Minority Research in Austria
8. Michael B. Bakan (USA): Being Applied in the Ethnomusicology of Autism
9. Brian Schrag (USA): Motivations and Methods for Encouraging Artists in Longer Traditions
10. Zoe C. Sherinian (USA): Activist Ethnomusicology and Marginalized Musics of
South Asia
IV. Indigenous Peoples
11. Elizabeth Mackinlay (Australia): Decolonisation and Applied
Ethnomusicology: Story-ing the Personal-Political-Possible in Our Work
12. Holly Wissler (USA): Andean Q'eros and Amazonian Wachiperi: Indigenous
Voice in Grassroots Tourism, Safeguarding, and Ownership Projects
V. Conflicts
13. Erica Haskell (USA): The Role of Applied Ethnomusicology in Post-conflict
and Post-catastrophe Communities
14. Joshua D. Pilzer (Canada): The Study of Survivors' Music
15. Britta Sweers (Switzerland): The Public Display of Migrants in National(ist) Conflict Situations in Europe: An Analytical Reflection on University-Based Ethnomusicological Activism
VI. Education
16. Susan E. Oehler Herrick (USA): Strategies and Opportunities in the Education Sector for Applied Ethnomusicology
17. John Morgan O'Connell (UK): Music and Humanism in the Aga Khan Humanities Project
18. Patricia Sheehan Campbell (USA) and Lee Higgins (UK): Intersections between Ethnomusicology, Music Education and Community Music
VII. Agencies
19. Dan Lundberg (Sweden): Archives and Applied Ethnomusicology
20. Clifford Murphy (USA): The Applied Ethnomusicologist as Public Folklorist:
Ethnomusicological Practice in the Context of a Government Agency in the
USA.
21. Zhang Boyu (China): Applied Ethnomusicology in China: An Analytical Review of Practice
22. Alan Williams (USA): The Problem and Potential of Commerce
