The Musical Gift
Sonic Generosity in Post-War Sri Lanka
Series: Critical Conjunctures in Music and Sound;
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Product details:
- Publisher OUP USA
- Date of Publication 18 October 2018
- ISBN 9780190912024
- Binding Hardback
- No. of pages288 pages
- Size 155x236x17 mm
- Weight 590 g
- Language English
- Illustrations 30 photographs 0
Categories
Short description:
The Musical Gift tells Sri Lankan music history as a story of exchange between humans and nonhumans, and between human communities defined by difference. Sykes argues that histories of sonic generosity have a role to play in fostering reconciliation in post-war Sri Lanka.
MoreLong description:
The Musical Gift tells Sri Lanka's music history as a story of giving between humans and nonhumans, and between populations defined by difference. Author Jim Sykes argues that in the recent past, the genres we recognize today as Sri Lanka's esteemed traditional musics were not originally about ethnic or religious identity, but were gifts to gods intended to foster protection and/or healing. Noting that the currently assumed link between music and identity helped produce the narratives of ethnic difference that drove Sri Lanka's civil war (1983-2009), Sykes argues that the promotion of connected music histories has a role to play in post-war reconciliation. The Musical Gift includes a study of how NGOs used music to promote reconciliation in Sri Lanka, and it contains a theorization of the relations between musical gifts and commodities. Eschewing a binary between the gift and identity, Sykes claims the world's music history is largely a story of entanglement between both paradigms. Drawing on fieldwork conducted widely across Sri Lanka over a span of eleven years--including the first study of Sinhala Buddhist drumming in English and the first ethnography of music-making in the former warzones of the north and east, this book brings anthropology's canonic literature on "the gift" into music studies--while drawing on anthropology's recent "ontological turn" and "the new materialism" in religious studies.
In his multicultural analysis of Sri Lanka's soundscape, Sykes emphasizes the public exchange of melodies and rhythms, rituals and dances, between the island's islands diverse religions and ethnicities. This is an anthropologically rich book presenting a strong case against musical ethno-nationalism.
Table of Contents:
Preface & Acknowledgements
Note on Transliteration
Supplementary Materials
Part One: Finding Musical Gifts
Introduction: For a Musicology of Karma and Reincarnation
Chapter One: Sonic Generosity: Beyond Secularism and Conflict in Music Studies
Part Two: Musical Giving as Protection and Destruction
Checkpoint: Musical Gifts and the Movement of Ghosts
Chapter Two: Beravā Secrecy and the Hoarding of Musical Gifts
Chapter Three: Sri Lankan Tamil Musical Giving: An Introduction
Chapter Four: The Cartography of Culture Zones: Social Relations and the Conversion of Sonic Money
Part Three: The Discursive Erasure of Musical Giving
Chapter Five: Beyond the Musicology of Disaster: War, Tsunami, Post-War
Checkpoint: The Malays Who Sing in Six Languages
Checkpoint: Sound as Commodity (Identity) versus Sound as Gift (Identity + Relations)
Chapter Six: The Island Space: Music, Buddhism, and the Sinhalas
Part Four: Rediscovering Musical Giving
Checkpoint: Re-Connecting Sinhala and Tamil Musical Cultures
Conclusion: The Regulation of Happiness in Post-War Sri Lanka
References
