The Music of the Future
Sound and Vision in the Caribbean
Series: Critical Conjunctures in Music and Sound;
- Publisher's listprice GBP 59.00
-
28 187 Ft (26 845 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 2 819 Ft off)
- Discounted price 25 369 Ft (24 161 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
28 187 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 26 September 2024
- ISBN 9780197759790
- Binding Hardback
- No. of pages216 pages
- Size 237x163x19 mm
- Weight 472 g
- Language English
- Illustrations 7 b/w illustrations 549
Categories
Short description:
In this book, author Martin Munro offers a new path into Caribbean studies based on sound. He argues that to understand and begin to transform the past, present, and future of Caribbean studies, historians must do so at the node of both sound and vision. It is a transnational, multidisciplinary study that will interest anyone who knows or wishes to learn about the Caribbean.
MoreLong description:
In this book, author Martin Munro offers a new path into Caribbean studies based on sound. He argues that to understand and begin to transform the past, present, and future of Caribbean studies, historians must do so at the node of both sound and vision. The book makes a compelling case for a broad realignment of Caribbean studies with particular emphasis on the sonic dimensions of Caribbean art, literature, travel writing, history, and society. From there, the book illustrates how sound and vision are closely connected in the Caribbean, to the point where they almost fuse into another, hybrid sense in which might be found the knotty truths and realities of the region, its people, and its relations with others.
Munro creates a mode of analyzing and understanding the multiple dialogues between visuality and aurality in relation to race, art, tourism, media, and literature. Crossing national and linguistic borders, he presents the Caribbean as a region and, working across media, he offers an expansive exploration of visuality and sound. The book's primary materials are varied--poems, novels, travel writing, amateur films, tourist movies, music, visual art--but united by the presence of the European-Caribbean, sound-vision dynamic that shapes so many accounts of cultural encounter in the region. The book traces this dynamic across the materials to give a sense of how it reappears in different times and places to become a defining element of European-Caribbean cultural and social relations and of how and why sound in its myriad manifestations becomes such a prevalent marker of Caribbean being, culture, and society.
Table of Contents:
Introduction: Sound Clashes
Chapter One: Sounding Francophone Caribbean Poetics
Chapter Two: Time Out in Trinidad: White "Expatriates" in the Late Colonial Period
Chapter Three: Sound Touristics
Chapter Four: Who Stole the Soul? Rhythm and Race in the Digital Age
Coda: The Music of the Future
Index
