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  • The Moral Economies of American Authorship: Reputation, Scandal, and the Nineteenth-Century Literary Marketplace

    The Moral Economies of American Authorship by Ryan, Susan M.;

    Reputation, Scandal, and the Nineteenth-Century Literary Marketplace

    Series: Oxford Studies in American Literary History;

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    Product details:

    • Publisher OUP USA
    • Date of Publication 18 February 2016

    • ISBN 9780190274023
    • Binding Hardback
    • No. of pages232 pages
    • Size 160x236x25 mm
    • Weight 445 g
    • Language English
    • Illustrations 6 halftones
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    Short description:

    The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations.

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    Long description:

    The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations. Using a wide range of printed materials--prefaces, dedications, and other paratexts as well as book reviews, advertisements, and editorials that appeared in the era's magazines and newspapers--The Moral Economies of American Authorship recovers and analyzes the circulation of authors' moral currency, attending not only to the marketing of apparently ironclad status but also to the period's not-infrequent author scandals and ensuing attempts at recuperation. These preoccupations prove to be more than a historical curiosity-they prefigure the complex (if often disavowed) interdependence of authorial character and literary value in contemporary scholarship and pedagogy. Combining broad investigations into the marketing and reception of books with case studies that analyze the construction and repair of particular authors' reputations (e.g., James Fenimore Cooper, Mary Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of the field's investments in and uses of authorial character. In the nineteenth century's deployment of moral character as a signal element in the marketing, reception, and canonization of books and authors, we see how biography both vexed and created literary status, adumbrating our own preoccupations while demonstrating how malleable-and how recuperable-moral authority could be.

    informative and lucidly argued study ... Ryan's astute study of nineteenth-century authorship provides an excellent framework for exploring literature's moral economies, past and present.

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    Table of Contents:

    Introduction: Moral Markets
    Chapter 1. Fenimore Cooper, Property, and the Trials of National Authorship
    Chapter 2. Paratexts and the Making of Moral Authority
    Chapter 3. Frederick Douglass's Marketing of Moral Repair
    Chapter 4. The Currency of Reputation
    Chapter 5. Stowe, Byron, and the Art of Scandal
    Epilogue: Reputation Redux
    Notes
    Index

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