The Invention of Latin American Music
A Transnational History
Series: Currents in Latin American and Iberian Music;
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Product details:
- Publisher OUP USA
- Date of Publication 8 September 2020
- ISBN 9780190687403
- Binding Hardback
- No. of pages272 pages
- Size 160x243x19 mm
- Weight 517 g
- Language English
- Illustrations 2 tables, 10 photographs 94
Categories
Short description:
The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
MoreLong description:
The ethnically and geographically heterogeneous countries that comprise Latin America have each produced music in unique styles and genres - but how and why have these disparate musical streams come to fall under the single category of "Latin American music"? Reconstructing how this category came to be, author Pablo Palomino tells the dynamic history of the modernization of musical practices in Latin America. He focuses on the intellectual, commercial, musicological, and diplomatic actors that spurred these changes in the region between the 1920s and the 1960s, offering a transnational story based on primary sources from countries in and outside of Latin America. The Invention of Latin American Music portrays music as the field where, for the first time, the cultural idea of Latin America disseminated through and beyond the region, connecting the culture and music of the region to the wider, global culture, promoting the now-established notion of Latin America as a single musical market. Palomino explores multiple interconnected narratives throughout, pairing popular and specialist traveling musicians, commercial investments and repertoires, unionization and musicology, and music pedagogy and Pan American diplomacy. Uncovering remarkable transnational networks far from a Western cultural center, The Invention of Latin American Music firmly asserts that the democratic legitimacy and massive reach of Latin American identity and modernization explain the spread and success of Latin American music.
The Invention of Latin American Music covers a great deal of ground and offers a number of important insights for readers interested in the historiography of music research in Latin America. Based on meticulous archival research in Argentina, Brazil, Mexico, Germany, and the United States, the various case studies included in this book are engrossing in their own right, many of them providing tantalizing leads for future research. The book is also important because of its emphasis on social actors, institutions, and perspectives within the regional context of Latin America, a much-needed complement to other recent research that has tended to privilege the role of US-based individuals and institutions.
Table of Contents:
Acknowledgments
Abbreviations
Introduction: Music is Latin American history
Chapter 1: A continental patchwork
Chapter 2: Transnational networks
Chapter 3: State musical populisms
Chapter 4: The transnational formation of Latin American musicology
Chapter 5: Latin/Pan American music
Chapter 6: Music and regionalism since the 1950s
Epilogue: A century of Latin American Music
Bibliography
