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  • The Films of Michelangelo Antonioni

    The Films of Michelangelo Antonioni by Brunette, Peter;

    Series: Cambridge Film Classics;

      • GET 20% OFF

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      • Publisher's listprice GBP 21.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        10 628 Ft (10 122 Ft + 5% VAT)
      • Discount 20% (cc. 2 126 Ft off)
      • Discounted price 8 502 Ft (8 098 Ft + 5% VAT)

    10 628 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 28 September 1998

    • ISBN 9780521389921
    • Binding Paperback
    • No. of pages204 pages
    • Size 228x152x23 mm
    • Weight 290 g
    • Language English
    • Illustrations 20 b/w illus.
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    Short description:

    An analysis of the life and work of the Italian director, Michelangelo Antonioni.

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    Long description:

    The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work, and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in colour. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of his maturity. Rather than emphasizing the stress and alienation of Antonioni's characters, in this book Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom, and demonstrates also how they are formal exercises that depend on painterly abstraction for their expressive effects.

    ' ... a long-overdue review of an auteur too often dismissed or ignored.' David Martin-Jones, Film-Philosophy

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    Table of Contents:

    Introduction; 1. L'avventura (1960); 2. La notte (1961); 3. L'eclisse (1962); 4. Red Desert (1964); 5. Blow-up (1966); 6. The Passenger (1975); Filmography.

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