The Face of the Buddha
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher OUP Oxford
- Date of Publication 9 June 2016
- ISBN 9780199659678
- Binding Hardback
- No. of pages224 pages
- Size 253x196x19 mm
- Weight 648 g
- Language English
- Illustrations In-text black-and-white illustrations; 16pp colour plates section 0
Categories
Short description:
The English poet, philosopher, and literary critic William Empson considered 'The Face of the Buddha' to be one of his finest works and was heartbroken when he lost the only copy in the wake of World War Two. Its recent rediscovery means the book can now be offered for the very first time exactly as he intended.
MoreLong description:
Taking up a teaching appointment in Tokyo in 1931, the English poet and literary critic William Empson found himself captivated by the Buddhist sculptures of ancient Japan, and spent the years that followed in search of similar examples all over Korea, China, Cambodia, Burma, India, and Ceylon, as well as in the great museums of the West. Compiling the results of these wide-ranging travels into what he considered to be one of his most important works, Empson was heartbroken when he mislaid the sole copy of the manuscript in the wake of the Second World War. 'The Face of the Buddha' remained one of the great lost books until its surprise rediscovery sixty years later, and is published here for the first time. The book provides an engaging record of Empson's reactions to the cultures and artworks he encountered during his travels, and presents experimental theories about Buddhist art that many authorities of today have found to be remarkably prescient. It also casts important new light on Empson's other works, highlighting in particular the affinities of his thinking with that of the religious and philosophical traditions of Asia.
Edited by the global culture historian Rupert Arrowsmith, this edition comes with a comprehensive introduction that makes 'The Face of the Buddha' as accessible to the general reader as it is to the professional scholar, and is fully illustrated throughout with Empson's original photographs.
The book is beautifully produced, and as a late addition to the Empson canon it is a fitting tribute to an exceptionally brilliant poet and critic.
Table of Contents:
Preface
Editor's introduction
The Face of the Buddha
Notes
Bibliography
