The Documentary Imagination in Twentieth-Century French Literature
Writing with Facts
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Product details:
- Publisher OUP Oxford
- Date of Publication 3 September 2020
- ISBN 9780198859680
- Binding Hardback
- No. of pages288 pages
- Size 240x165x25 mm
- Weight 598 g
- Language English
- Illustrations 14 Illustrations 42
Categories
Short description:
Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
MoreLong description:
The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel.
Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
The book includes illustrations and an extensive bibliography. Highly recommended. Upper-division undergraduates through faculty.
Table of Contents:
Introduction: Speaking Facts
Outrageously Real: André Gide's Documentary Modernism
'Pris sur le vif': The Surrealist Poetics of the Document
Family Relics: Marguerite Yourcenar's Archival Autobiography
Paper Witnesses: Documentary Memory After World War II
Epilogue: Documents in the Digital Age
