The Dark Side of the Landscape
The Rural Poor in English Painting 1730-1840
Series: Cambridge Paperback Library;
- Publisher's listprice GBP 23.00
-
11 640 Ft (11 086 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 328 Ft off)
- Discounted price 9 312 Ft (8 869 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
11 640 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number New ed
- Publisher Cambridge University Press
- Date of Publication 29 September 1983
- ISBN 9780521276559
- Binding Paperback
- No. of pages192 pages
- Size 246x173x10 mm
- Weight 410 g
- Language English 0
Categories
Short description:
John Barrell's 1980 study shows why the poor interested painters and how painters could represent them for the rich.
MoreLong description:
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the d&&&233;cor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
'This is a most original, searching and disquieting book. It will help us to look at old masters with new eyes: and also, since we are convicted by Barrell of certain nostalgic illustions about the agrarian past, it will help us to look at ourselves.' E. P. Thompson
Table of Contents:
List of illustrations; Acknowledgements; 1. Introduction; 2. Thomas Gainsborough; 3. George Morland; 4. John Constable; Notes; Index.
More
