The Author's Effects
On Writer's House Museums
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Estimated delivery time: Expected time of arrival: end of January 2026.
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Product details:
- Publisher OUP Oxford
- Date of Publication 29 June 2023
- ISBN 9780198883548
- Binding Paperback
- No. of pages352 pages
- Size 234x157x18 mm
- Weight 542 g
- Language English
- Illustrations 24 illustrations 474
Categories
Short description:
A fascinating account of the emergence of the writer's house museum over the course of the nineteenth century in Britain, Europe, and North America. It considers the museum as a cultural form and asks why it appeared and how it has constructed authorial afterlife for readers individually and collectively.
MoreLong description:
The Author's Effects: On the Writer's House Museum is the first book to describe how the writer's house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologised through the conventions of the writer's house museum, The Author's Effects anatomises the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity.
It traces how and why the writer's bodily remains, possessions, and spaces came to be treasured in the late eighteenth and nineteenth centuries, as a prelude to the appearance of formal writer's house museums. It ransacks more than 100 museums and archives to tell the stories of celebrated and paradigmatic relics—Burns' skull, Keats' hair, Petrarch's cat, Poe's raven, Brontë's bonnet, Dickinson's dress, Shakespeare's chair, Austen's desk, Woolf's spectacles, Hawthorne's window, Freud's mirror, Johnson's coffee-pot and Bulgakov's stove, amongst many others. It investigates houses within which nineteenth-century writers mythologised themselves and their work—Thoreau's cabin and Dumas' tower, Scott's Abbotsford and Irving's Sunnyside. And it tracks literary tourists of the past to such long-celebrated literary homes as Petrarch's Arquà, Rousseau's Ile St Pierre, and Shakespeare's Stratford to find out what they thought and felt and did, discovering deep continuities with the redevelopment of Shakespeare's New Place for 2016.
This smart, well-written book will attract a wide audience through its seamless grafting of literary history, material culture, and museum studies. Highly recommended. All readers.
Table of Contents:
Introduction
Remains: Burns' skull and Keats' hair
Bodies: Petrarch's cat and Poe's Raven
Clothing: Brontë's bonnet and Dickinson's dress
Furniture: Shakespeare's chair and Austen's desk
Household Effects: Johnson's coffee-pot and Twain's effigy
Glass: Woolf's spectacles and Freud's mirror
Outhouses: Thoreau's cabin and Dumas' prison
Enchanted Ground: Scott's Abbotsford, Irving's Sunnyside, Shakespeare's New Place
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