Product details:

ISBN13:9789633866733
ISBN10:9633866731
Binding:Hardback
No. of pages:350 pages
Size:228x152 mm
Language:English
Illustrations: 34 illus.
700
Category:

The Art of Witnessing

Documentary Art, Literature, Film and Theatre in Eastern Europe and the Baltics
 
Publisher: Central European University Press
Date of Publication:
 
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Long description:

The volume examines the documentary practices of film, theatre, and literature from the 1960s to the 2020s in Ukraine, Russia, Belarus, and the Baltic states. 


Methodologically innovative case studies consider contemporary ?witness art? ? for example verbatim theatre based on interviews with people participating in political protest and war. The contributions expand on the political, medial, and aesthetic developments that shaped Soviet attitudes towards the arts and show how these concepts still influence contemporary practices. The essays are written for scholars and students of literature, culture, sociology, film, theatre, and trauma studies, but also for general readers interested in the documentary arts.  


The Russian invasion of the Ukraine has reinforced a dynamic that had already gained traction due to the political transformations post-1991 and the Euro-Maidan. Ukrainian documentary art has become a tool to witness rapid change and to counteract media warfare. Artists have reacted by creating works that address traumatizing experiences by keeping records and analyzing the ongoing events at the same time. The essays reflect on documentary approaches that are proving to be collaborative artistic tools in violent times.

Table of Contents:

Prologue: Witnessing in Art. Ukrainian Voices from the War

Olexii Kuchanskyi


Introduction: Performing the Documentary: The Uses and Abuses of Factuality and Art

Johanna Lindbladh and Anja Tippner


PART I. Witnessing in Art. Theoretical Perspectives

A Crowd in Every Face: The Documentary Image in Concentrationary Art

Libby Saxton

The Methods of Second-Hand Testimonies Exemplified by Svetlana Aleksievich?s Artistic and Dialogic Practices

Johanna Lindbladh

Documenting as Teamwork: Problems of Collaboration in Documentary Art in Belarus and Russia

Anja Tippner


PART II. Documentary Art on Screen and Stage

Ukrainian Documentary Theatre in the Context of War

Molly Flynn/ Ielizaveta Oliinyk

Reading the Soviet Time Speeches: Contemporary Russian Theatre?s Reflexion

Elena Gordienko

The Sociology of Contemporary Russian Documentary Film

Jeremy?Hicks

Melodrama, Truth Telling and the Memory of War in the Soviet Cinema of the Thaw

Violeta Davoli?t?

The Ethnography of Damaged Life: Ukrainian Poetic Cinema between Document and Dream

Olha Briukhovetska


PART III. Documentary practices in literature

Towards a Testimonial Mode: Documentary Literature and the Memory of WWII in Ülo Tuulik?s In the Way of the War (1974)

Eneken Laanes

Ludmila Ulitskaya?s ?Novel in Documents?, Daniel Stein, Interpreter

Fiona Björling

Cognitive Overload and the Documentary Mode in Maria Stepanova?s In Memory of Memory

Julie Hansen

Documentary Poetry and Stigmatized People in Today?s Russia and Belarus: the Birth of a New Visibility

Il?ia Kukulin