Tap Dancing America
A Cultural History
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Product details:
- Publisher OUP USA
- Date of Publication 5 February 2015
- ISBN 9780190225384
- Binding Paperback
- No. of pages464 pages
- Size 272x157x20 mm
- Weight 816 g
- Language English
- Illustrations 94 b/w halftones 0
Categories
Short description:
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.
MoreLong description:
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover.
In Tap Dancing America, Constance Valis Hill, herself an accomplished jazz tap dancer, choreographer, and performance scholar, begins with a dramatic account of a buck dance challenge between Bill "Bojangles" Robinson and Harry Swinton at Brooklyn's Bijou Theatre, on March 30, 1900, and proceeds decade by decade through the 20th century to the present day. She vividly describes tap's musical styles and steps -- from buck-and-wing and ragtime stepping at the turn of the century; jazz tapping to the rhythms of hot jazz, swing, and bebop in the '20s, '30s and '40s; to hip-hop-inflected hitting and hoofing in heels (high and low) from the 1990s right up to today. Tap was long considered "a man's game," and Hill's is the first history to highlight such outstanding female dancers as Ada Overton Walker, Kitty O'Neill, and Alice Whitman, at the turn of the 20th century, as well as the pioneering women composers of the tap renaissance, in the 70s and 80s, and the hard-hitting rhythm-tapping women of the millennium such as Chloe Arnold, Ayodele Casel, Michelle Dorrance, and Dormeshia Sumbry Edwards.
Written with uncanny foresight, the book features dancers who have become international touring artists and have performed on Broadway, won Emmy and Tony Awards, and received the prestigious Dance Magazine, Adele and Fred Astaire, and Jacob's Pillow Dance awards. Presented with all the verve and grace of tap itself and drawing on eyewitness accounts of early performances as well as interviews with today's greatest tappers, Tap Dancing America fills a major gap in American dance history and places tap firmly center stage.
Hill's prose brings to life the visceral thrill that a well-executed virtuosic tap routine or improvisation can impart. Her work here will inspire readers
Table of Contents:
Foreword by Dianne Walker
Preface
Chapter 1: Trickster Gods and Rapparees (1650-1900)
Chapter 2: Buck-and-Wing (Turn of the Century)
Chapter 3: Over-the-Top and In-the-Trenches (Teens)
Chapter 4: Simply Full of Jazz (Twenties)
Chapter 5: Swing Time (Thirties)
Chapter 6: Jumpin' Jive (Forties)
Chapter 7: Beat, Bebop, Birth of the Cool (Fifties)
Chapter 8: Tap Happenings (Sixties)
Chapter 9: Nostalgia, and All That Tap (Seventies)
Chapter 10: Black and Blue (Eighties)
Chapter 11: Noise and Funk (Nineties)
Chapter 12: Hoofing in Heels (Millennium)
Notes
Glossary
Bibliography
Index