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  • Sufi Lovers, Safavid Silks and Early Modern Identity

    Sufi Lovers, Safavid Silks and Early Modern Identity by Hedayat Munroe, Nazanin;

    Series: Visual and Material Culture, 1300-1700;

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      • Publisher's listprice GBP 42.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 538 Ft (19 560 Ft + 5% VAT)
      • Discount 20% (cc. 4 108 Ft off)
      • Discounted price 16 430 Ft (15 648 Ft + 5% VAT)

    20 538 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781041186717
    • Binding Paperback
    • No. of pages248 pages
    • Size 246x174 mm
    • Language English
    • 700

    Categories

    Short description:

    This book examines a group of sixteenth- and seventeenth-century figural silks depicting legendary lovers from the Khamsa (Quintet) of epic Persian poetry. The study presents original cross-disciplinary arguments about patronage, provenance, and the socio-cultural significance of wearing these silks.

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    Long description:

    This book examines a group of sixteenth- and seventeenth-century figural silks depicting legendary lovers from the Khamsa (Quintet) of epic Persian poetry. Codified by Nizami Ganjavi in the twelfth century, the Khamsa gained popularity in the Persian-speaking realm through illustrated manuscripts produced for the elite, creating a template for illustrating climactic scenes in the love stories of “Layla and Majnun” and “Khusrau and Shirin” that appear on early modern silks. Attributed to Safavid Iran, the publication proposes that dress fashioned from these silks represented Sufi ideals based on the characters. Migration of weavers between Safavid and Mughal courts resulted in producing goods for a sophisticated and educated elite, demonstrating shared cultural values and potential reattribution. Through an examination of primary source materials, literary analysis of the original text, and close iconographical study of figural designs, the study presents original cross-disciplinary arguments about patronage, provenance, and the socio-cultural significance of wearing these silks.

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    Table of Contents:

    Acknowledgments, List of Illustrations, Notes on Transliteration, Introduction, Material Culture and Mysticism in the Persianate World, PART I, Chapter One, Silks, Signatures and Self-fashioning, Khamsa Narrative Silks in Scholarship, The Famous Naqshband: Unrivalled in the Art of Textile Design, Craftsmen and Consumers, Self-Fashioning in the Early Modern Persianate World, Chapter Two, Dressed as King, Lover and Beloved: Khusrau and Shirin, Lovers from Nizami's >Khamsa, The Romantic Tragedy of Nizami's 'Khusrau and Shirin', Khusrau and Shirin in Paintings and Safavid Silks, The Gaze and the Body: States of Dress and Undress, Chapter Three, Weaving Stories, Weaving Self: Layla and Majnun as Sufi Icons, The Mystical Love Story of Nizami's 'Layla and Majnun', Layla and Majnun in Paintings and Safavid silks, The >Khamsa of Amir Khusrau, Text and Textile in Sufi Poetry, PART II, Chapter Four, The Divine Cloak of Majesty: Material Culture in Sufi Practice, Garments as Gifts of Blessing, Piety and Power, Chivalry, Spirituality, and Materiality in Sufism, Khirqa: The Cloak of Spiritual Poverty, Khamsa Silk as >Khirqa? Figural Silks in Islamic Literary Sources, Enrobed: Khil'at More