Sound Tracks
Uncovering Our Musical Past
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12 337 Ft (11 750 Ft + 5% VAT)
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12 337 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Vintage Publishing
- Date of Publication 4 April 2024
- ISBN 9781847926876
- Binding Hardback
- No. of pages416 pages
- Size 236x162x40 mm
- Weight 680 g
- Language English 559
Categories
Long description:
A transporting voyage of archaeological discovery: Sound Tracks unearths instruments from around the world and across time, releasing the past's musical secrets for the first time.
‘A thrilling journey into the sonic richness of human experience’ PHILIP BALL, author of The Music Instinct
‘A magical book’ FRANCIS PRYOR, author of Britain BC
From the present day back to the dawn of time, from dark caves and murky swamps to open deserts and ocean depths, here is the history of humankind's relationship with music in fifty detective stories.
We see a child’s delight in Peru in AD 700, playing with a water-filled pot that chirps like a bird; we shiver with a lonely soldier sending trumpet signals to the next watchtower on Hadrian's Wall; we sway to the stately rhythms of the 64 bells buried in a tomb in China in the 5th century BC. And on this grand tour, we learn that music is part of what makes us human – a way of commemorating our pasts, communicating with others and shaping our lives.
Brimming with astonishing insights, Sound Tracks provides an enthralling alternative history of humanity in which the silences of the past are filled with a glorious treasure hoard of vanished sounds and voices.
‘Piles revelation upon revelation to shed a completely new perspective on the tools we use for making music’ NORMAN LEBRECHT, author of Why Beethoven
‘Lawson has brilliantly conjured up the sounds of 30,000 years of human history’ DAVID ABULAFIA, Professor Emeritus of Mediterranean History
