Shakespeare and the Royal Actor
Performing Monarchy, 1760-1952
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40 488 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher OUP Oxford
- Date of Publication 15 February 2024
- ISBN 9780198894971
- Binding Hardback
- No. of pages272 pages
- Size 240x160x20 mm
- Weight 562 g
- Language English
- Illustrations 45 Illustrations 587
Categories
Short description:
Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.
MoreLong description:
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
With exemplary insight and clarity, Sally Barnden tells the compelling story of the mutually-sustaining--and sometimes mutually-complicating--relationship between the British royal family and Shakespeare. Drawing on a wonderfully wide-ranging archive of images and texts, Barnden shows us how the British royals have repeatedly looked to Shakespeare as means of negotiating their own history--a process that has, in turn, changed the versions of Shakespeare we've come to see and read.
Table of Contents:
Introduction
Player Queens
Libertines
Warlike Effigies
Domestic Virtues
Royal Bodies
Epilogue
