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    Semiotics of the Image: A Study of the Form of Meaning in Media Spectacles

    Semiotics of the Image by Hu, Yirong;

    A Study of the Form of Meaning in Media Spectacles

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      • Publisher's listprice EUR 128.39
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        54 463 Ft (51 869 Ft + 5% VAT)
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      • Discounted price 50 105 Ft (47 719 Ft + 5% VAT)

    54 463 Ft

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    Product details:

    • Publisher Springer
    • Date of Publication 25 June 2025
    • Number of Volumes 1 pieces, Book

    • ISBN 9789819645916
    • Binding Hardback
    • No. of pages284 pages
    • Size 235x155 mm
    • Language English
    • Illustrations 7 Illustrations, black & white; 1 Illustrations, color
    • 700

    Categories

    Short description:

    This book provides a groundbreaking exploration of image semiotics. Going far beyond traditional analyses of static visual texts, it includes dynamic imagery, literary iconography, and psychological images, offering a holistic view of how semiotics permeates various forms of media and cultural expression.



    The book integrates various case studies on Chinese culture, providing scholars outside China a unique lens through which to understand Chinese cultural thinking through semiotics. This approach not only enriches the academic discussion but also enhances cross-cultural understanding. In addition, the book collects and synthesizes significant achievements in semiotics, incorporating traditional visual theory research from the Panofsky and Warburg schools. This synthesis forms a comprehensive ?semiotics of images,? providing an interdisciplinary analytical framework for contemporary ?media spectacles.? The book employs multiple methodologies to dissect the visual image spectacles constructed by modern media signs, culminating in a macro-level understanding of cultural spectacles. Furthermore, it situates the comparison between Chinese and Western civilizations within a broad context of cultural philosophy and history, enriching the discourse on cultural differences and similarities.

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    Long description:

    This book provides a groundbreaking exploration of image semiotics. Going far beyond traditional analyses of static visual texts, it includes dynamic imagery, literary iconography, and psychological images, offering a holistic view of how semiotics permeates various forms of media and cultural expression.



    The book integrates various case studies on Chinese culture, providing scholars outside China a unique lens through which to understand Chinese cultural thinking through semiotics. This approach not only enriches the academic discussion but also enhances cross-cultural understanding. In addition, the book collects and synthesizes significant achievements in semiotics, incorporating traditional visual theory research from the Panofsky and Warburg schools. This synthesis forms a comprehensive ?semiotics of images,? providing an interdisciplinary analytical framework for contemporary ?media spectacles.? The book employs multiple methodologies to dissect the visual image spectacles constructed by modern media signs, culminating in a macro-level understanding of cultural spectacles. Furthermore, it situates the comparison between Chinese and Western civilizations within a broad context of cultural philosophy and history, enriching the discourse on cultural differences and similarities.

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    Table of Contents:

    Introduction: From Image to Spectacle.- Sign and Image.- Transparent Languages.- Verbal Icon.- Art Images.- Simulacrum.- The Cultural Spectacle.

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