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    Searching for Wagner in Japan

    Searching for Wagner in Japan by McCorkle Okazaki, Brooke;

    Series: New Cultural History of Music;

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      • Publisher's listprice GBP 91.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        41 086 Ft (39 130 Ft + 5% VAT)
      • Discount 10% (cc. 4 109 Ft off)
      • Discounted price 36 978 Ft (35 217 Ft + 5% VAT)

    41 086 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 24 July 2026

    • ISBN 9780197620410
    • Binding Hardback
    • No. of pages352 pages
    • Size 237x165x23 mm
    • Weight 780 g
    • Language English
    • Illustrations 91
    • 700

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    Short description:

    Searching for Wagner in Japan presents a new way of understanding Wagnerism through the reception of the composer's music and prose in East Asia. The book offers a compelling examination of how Japanese Wagnerism engaged with global socio-political agendas throughout the twentieth century.

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    Long description:

    In 1868 Japan opened its borders to the outside world and began a rapid modernization process which included importing European musical instruments, compositional practices, and repertoire. The operas and prose of Richard Wagner trickled into Japan during this time and, as in other parts of the world, agents in Japan manipulated the composer's prose and musical works to suit ideologies ranging from the fascist to the frivolous.

    Through the lens of global history, Japanese cultural studies, and musicology, this book presents a new way of understanding Wagnerism as it filtered through modern Japanese culture. Wagnerism is entangled in modernity, and in Japan these entanglements surfaced not only on the operatic stage, but also in sheet music, film, and popular literature. Author Brooke McCorkle Okazaki documents Wagner's opera premieres and utilizes mass media--such as film, magazines, and comics--to explore the interplay of modernity and Wagnerism in Japan. Okazaki first situates the discussion in the context of global historical methodologies, demonstrating how the story of Wagner's reception in Japan models a non-Eurocentric approach to one of musicology's most canonical composers. She then presents a series of case studies that consider how Wagnerism shaped individuals and institutions in Japan beginning from the late nineteenth century and to the present.

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    Table of Contents:

    Introduction: Japanese Wagnerism, Global Musicology
    Wagnerism and Dreams of Nationhood in Modern Japan
    Wagnerism and Fascinating Frivolity
    Wagnerism and Early Japanese Opera: Yamada Kōsaku's The Fallen Celestial Maiden
    Wagner and Technologies of Empire
    Twilight of an Empire: Staging Wagner in Wartime Tokyo
    Occupying Wagner
    A Shōjo's Fantasy: Wagner and Girls' Culture in 1950s Japan
    Tristan's Wounds, Mishima's Body
    Takarazuka, Tristan, and Troubling Gender
    J-Wagner: Wagner and Manga in Millennial Japan
    Wagner, Anime, and Environmental Commentary: Studio Ghibli's Ponyo (2008)
    Conclusion: Wagner Fans, Assemble

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