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  • Script Supervising and Film Continuity

    Script Supervising and Film Continuity by Miller, Pat P;

      • GET 10% OFF

      • Publisher's listprice GBP 57.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        26 182 Ft (24 935 Ft + 5% VAT)
      • Discount 10% (cc. 2 618 Ft off)
      • Discounted price 23 564 Ft (22 442 Ft + 5% VAT)

    23 564 Ft

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    Availability

    printed on demand

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 3, New edition
    • Publisher Taylor & Francis
    • Date of Publication 29 December 1998

    • ISBN 9780240802947
    • Binding Paperback
    • No. of pages256 pages
    • Size 229x152 mm
    • Weight 426 g
    • Language English
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    Long description:

    "This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent.



    The book teaches all vital script supervising functions, including how to:
    .prepare, or ""break down"" a script for shooting
    .maintaining screen direction and progression
    .matching scenes and shots for editing
    .cuing actors
    .recording good takes and prints
    preparing time and log sheets for editing

    This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
    "

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    Table of Contents:

    Getting Into the Act, First Comes the Word, Prior to Principal Photography, Before the Camera Rolls, Camera Rehearsals, The Slating Syndrome, Getting the Scene on Film,Timing is of the Essence, That's a Wrap, Continuity Script to Editor, Dynamics of the Camera, Concept of Coverage, Mastery of Matching, Second Unit Filming, Filming for Television, Film Language, Appendix

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