Schumann: Fantasie, Op. 17
Series: Cambridge Music Handbooks;
- Publisher's listprice GBP 28.00
-
14 170 Ft (13 496 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 834 Ft off)
- Discounted price 11 337 Ft (10 797 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
14 170 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 30 October 1992
- ISBN 9780521398923
- Binding Paperback
- No. of pages136 pages
- Size 216x137x8 mm
- Weight 179 g
- Language English 0
Categories
Short description:
Nicholas Marston traces the fascinating history of Schumann's Fantasie, Op. 17.
MoreLong description:
Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher. Examining the few surviving sketches: to whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles which the composer gave the work before publication. Dr Marston also considers the role of allusion and quotation in the work, preparing the way for an analytical study of each of the movements. The book concludes with an overview of the reception and performance of the Fantasie from 1839 onwards. Every aspect of the work is covered, providing the performer, the listener or the student with an understanding not only of the Fantasie, but of Schumann himself as a composer.
MoreTable of Contents:
Preface; List of plates; list of abbreviations; 1. The compositional history of the Fantasie; 2. What's in a name? Genre and title in the Fantasie; 3. Allusion and quotation in the Fantasie; 4. Form in the First Movement; 5. Schiegel's leiser Ton and thematic unity in the Fantasie; 6. Form in the Second and Third Movements; 7. The subsequent history of the Fantasie; Notes; Bibliography.
More
