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  • Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama

    Scars of Conquest/Masks of Resistance by Olaniyan, Tejumola;

    The Invention of Cultural Identities in African, African-American and Caribbean Drama

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      • Publisher's listprice GBP 76.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        34 314 Ft (32 680 Ft + 5% VAT)
      • Discount 10% (cc. 3 431 Ft off)
      • Discounted price 30 883 Ft (29 412 Ft + 5% VAT)

    34 314 Ft

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    printed on demand

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 24 August 1995

    • ISBN 9780195094060
    • Binding Paperback
    • No. of pages208 pages
    • Size 230x169x13 mm
    • Weight 327 g
    • Language English
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    Short description:

    Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.

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    Long description:

    Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.

    An excellent job and...a must for students of African Literature.

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